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An inspector rages against the announcement that police HQ is to relocate – the way so many of the city’s residents already have – to the mainland... An aspiring author struggles with the inexorable creep of rentalisation that has forced him to share his apartment, and life, with ‘global pilgrims’... An ageing painter rails against the liberties taken by tourists, but finds his anger undermined by his own childhood memories of the place... The Venice presented in these stories is a far cry from the ‘impossibly beautiful’, frozen-in-time city so familiar to the thousands who flock there every year – a city about which, Henry James once wrote, ‘there is nothing new to be said.’ Instead, they represent the other Venice, the one tourists rarely see: the real, everyday city that Venetians have to live and work in. Rather than a city in stasis, we see it at a crossroads, fighting to regain its radical, working-class soul, regretting the policies that have seen it turn slowly into a theme park, and taking the pandemic as an opportunity to rethink what kind of city it wants to be.
A fundamental natural resource, water and its use not only reflect "modes of production" but also that complex interplay between resources and their exploitation (and domination) by various social agents, who in their turn are inevitably influenced by the abundance or rarity of water supplies. Focusing on scientific, social and economic issues from the 16th to the 19th century, the author, one of Italy's leading historians in this field, looks at the innumerable conflicts that arose over water resources and the environmental impact of projects intended to control them. Venice and Holland are undoubtedly the two most fascinating cases of societies "built on water," with the conquest of vast e...
1908. New Venice - the pearl of the Arctic' - a place of ice palaces and pneumatic tubes, a steampunk paradise of long nights and vistas of ice. But as the city prepares for spring, there is an overriding sense that something is about to explode. Local 'poletics' are wracked by tension as local Eskimos circle the city, with suffragette riots led by an underground music star, with drugs round-ups by the local police force known as 'The Gentlemen of the Night' heightening the anxiety. What transpires is a literary adventure unlike any before in the beginning of a great new series.'
In the 1380s and 90s, Nicolò and Antonio Zen journeyed from Venice up the North Atlantic, encountering warrior princes, fighting savage natives and, just possibly, reaching the New World a full century before Columbus. The story of their adventure travelled throughout Europe, from the workshop of the great cartographer Mercator to the court of Elizabeth I. For centuries, the brothers were international celebrities, until, in 1835, the story was denounced as a 'tissue of lies' and the Zens faded into oblivion.But was it a hoax? What if these Venetian navigators really made their incredible journey? Intrigued by the myth, Andrea di Robilant sets out to discover the truth about the Zen voyages. Following in their footsteps, his quest to solve one of Venice's most intriguing mysteries takes him on a fascinating journey of his own, from the crumbling Palazzo Zen in Venice to the Orkney Islands, Shetland, the Faroes, Iceland and even as far as an isolated monastery in Greenland. Part history, part travelogue, Venetian Navigators is a charming tale of great journeys, fine detective work and faith, against the odds.
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Bembo (1470-1547), a Venetian nobleman, later a Roman Catholic cardinal, was the most celebrated Latin stylist of his day and was widely admired for his writings in Italian. The History of Venice was published posthumously, in Latin and in his own Italian version. This edition makes it available for the first time in English translation.