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Pina Bausch
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Plastic Pasts
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Concerning Consequences
Kristine Stiles has played a vital role in establishing trauma studies within the humanities. A formidable force in the art world, Stiles examines the significance of traumatic experiences both in the individual lives and works of artists and in contemporary international cultures since World War II. In Concerning Consequences, she considers some of the most notorious art of the second half of the twentieth century by artists who use their bodies to address destruction and violence. The essays in this book focus primarily on performance art and photography. From war and environmental pollution to racism and sexual assault, Stiles analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible’s patriarchal legacies to documentary images of nuclear explosions, Concerning Consequences explores how art can provide a distinctive means of understanding trauma and promote individual and collective healing.
The Brothers Le Nain
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to...
Chaos
En 2005, ayant commencé à relire mes textes de jeunesse, poétiques et fictionnels, tous inédits, relisant ces archives manuscrites ou tapuscrites oubliées, afin de découvrir ou d’imaginer quelles pages méritaient d’en être exhumées sans trop de remords, j’ai trouvé une cassette magnétique sur laquelle, en 1985, je tenais un journal enregistré, intime, sonore et littéraire, plus tard, je devais dire audiobiographique. Parmi les éléments consignés, à cette heure post-adolescente, il était notamment question d’une expérience d’écriture poétique avec un groupe no-wave sans lendemains. J’avais donc réalisé, pour ces amis musiciens, un ensemble de poèmes. Évide...
The Museum in the Digital Age
The current “digital revolution” or “digital era” has affected most of the realms of today’s world, particularly the domains of communication and the creation, safeguarding and transmission of knowledge. Museums, whose mission is to be open to the public and to acquire, conserve, research, communicate and exhibit the heritage of humanity, are thus directly concerned by this revolution. This collection highlights the manner in which museums and curators tackle the challenges of digital technology. The contributions are divided into four groups that illustrate the extent of the impact of digital technologies on museums: namely, exhibitions devoted to new media or mounted with the use of new media; the hidden face of the museum and the conservation of digital works of art; cultural mediation and the communication and promotion of museums using digital tools; and the legal aspects of the digitalisation of content, whether for creative purposes or preservation.
Architectural Graphics
This book reports on several advances in architectural graphics, with a special emphasis on education, training and research. It gathers a selection of contributions to the 19th International Conference on Graphic Design in Architecture, EGA 2022, held on June 2–4, 2022, in Cartagena, Spain, with the motto: "Beyond drawings. The use of architectural graphics".
Mon voyage au cœur de l'être
Avez-vous déjà entrepris un voyage qui a profondément changé votre façon de voir la vie ? Je m’appelle Rachel Favre, je suis née le 2 septembre 1981 à Voiron. La racine de mon prénom « Ra » pourrait s’apparenter à l’œil de Râ : l’œil qui voit tout. « Voir » se révèle être la racine de ma ville d’origine... J’habite désormais dans un petit village du sud de la France qui se nomme Mirabeau, signifiant en provençal : Mirabèu. Ce mot vient de mirar, « voir » et bèu, « beau ». Il peut ainsi désigner un espace d’où l’on peut admirer une belle vue. De cet espace, je remonte le fil du temps et pénètre dans un univers fractal où tout est intriqué. Tel ...
Smaris Elaphus
Reccueil annuel, SMARIS ELAPHUS est livre-revue des trois revues (Arts Hebdo Médias - TK-21 - Corridor Éléphant). Animal étrange d'encre et de papier.
