You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Recent translations of Novalis’s work into English should occasion fresh endeavours in the field of Novalis studies, aimed at English readers who are without German. In this book John O’Meara presents his own understanding of what Novalis offers to these readers, who have been given firmer access to his life and to his philosophical works than ever before. O’Meara traces Novalis’s philosophical development meticulously, finishing up with an in-depth analysis of his Hymns to the Night, the Spiritual Songs, and his main and unfinished novel, Henry von Ofterdingen. Emphasis is on the process by which Novalis’s literary works manifest as direct expressions of his philosophical explorations, which bear fruit, eventually, in visions of sweeping majesty and annunciatory grandeur.
None
Examines the notion of Darstellung [representation] in the critical discourse of German Idealism and Romanticism, paying particular attention to Kant, Fichte, Novalis, and Kleist.
August Wilhelm Schlegel proclaimed that “[i]f the regeneration of the human species started in the East, Germany must be considered the Orient of Europe.” How can this remarkable identification of Germany with the subjugated oriental ‘other’ be explained? In The Orient of Europe, Nicholas A. Germana explores how German thinkers, especially those associated with the Early Romantic movement, set India up as an “ideal mirror,” in which they could perceive the image of the Germany they longed for – a nation whose greatness lay not in political and military power, but in the realm of culture and the spirit. Such an image was especially important during the years of French occupation...
Building on recent investigations into affinities between early German Romanticism and French post-structuralism, this study brings together the work of Jacques Derrida with the writings of one of early Romanticisms most important theorists, Friedrich von Hardenberg (1772-1801), better known as Novalis. In contrast to recent criticism, which traces the historical path from Romanticism to modern theory in broad strokes, this book undertakes comparative readings of Novaliss and Derridas texts on literature and philosophy. The book focuses on the significance both writers accord to paradox and argues that readings which are attuned to paradox can better appreciate the proximity of Romanticism and post- structuralism. As well as their affirmation of paradox, the texts of Novalis and Derrida testify to a profound respect for the Other, and the close readings of selected texts reveal remarkable similarities in their thinking on literature, philosophy and representation, and on the intricate interrelation between language, identity and desire.
None
Gennemgang af temaet verdens undergang hos forfatterne William Blake, Novalis, Gérard de Nerval, Comte de Lautréamont, André Breton, Louis Aragon, William Burroughs, Monique Wittig og Jamaica Kincaid