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Gateways to Understanding Music
Gateways to Understanding Music, Second Edition, explores music in all the categories that constitute contemporary musical experience: European classical, popular, jazz, and world music. Covering the oldest forms of human music making to the newest, this chronology presents music from a global rather than a Eurocentric perspective. Each of 60 "gateways" addresses a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. How did the piece come to be composed or performed? How did it respond to the social and cultural issues at the time, and what does that music mean today? ...
Indian Buddhist Studies on Non-Buddhist Theories of a Self
This book addresses prominent views on the nature of the self in Indian philosophical traditions and presents Buddhist critiques of those conceptions through the translation and commentary on Śāntarakṣita’s chapter in the Tattvasaṃgraha on theories of a self and Kamala-śīla’s commentary on it in his Tattvasaṃgrahapañjikā. The book is comprised of an introduction presenting the theories of a self in the Indian Buddhist Middle Way philosophies and in the different philosophical schools Śāntarakṣita and Kamalaśīla study and offers a background for the translation. The detailed translation that follows reveals the theories of a self that are explained in the philosophical schools in India called the Nyāya-Vaiśeṣika, Mīmāṃsā, Sāṃkhya, Jain, Advaita Vedanta, and Vātsīputrīya. It is complemented by a thorough commentary by the author which brings the text to light for a modern audience. A useful contribution to Indian philosophy and global philosophy, this book will be of interest to researchers in the fields of Philosophy, Religious Studies and Buddhist Studies.
Swinglines
The way rhythm is taught in Western classrooms and music lessons is rooted in a centuries-old European approach that favors metric levels within a grand symmetrical grid. Swinglines encourages readers to experience rhythms, even gridded ones, as freewheeling affairs irrespective of the metric hierarchy. It shows that rhythms traditionally framed as "deviations" and "non-isochronous" have their own identities. They are coherent products of precise musical thought and action. Rather than situating them in the neither-here-nor-there, author Fernando Benadon takes a more inclusive view, one where isochrony and metric grids are shown as particular cases within the universe of musical time.
Trends in World Music Analysis
This volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences. With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the fi eld and demonstrating the expansion of possibilities created by this area of research.
The SAGE International Encyclopedia of Music and Culture
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world′s musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology′s fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by...
Chess Life & Review
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Times A-Changin'
"It is 1969 and Joni Mitchell is on television, standing empty-handed in the middle of a circular stage that is adorned with psychedelic colors. She is wearing a long, hunter-green dress, surrounded by an audience sitting cross-legged on the floor. She waits for television host Dick Cavett to introduce her next performance. The show is filming on the day after the 1969 Woodstock music festival, an event that Mitchell was initially scheduled to attend but from which she was held back by her management to ensure she could perform on The Dick Cavett Show the next day. The host introduces Mitchell and jokes with her about singing a capella, wondering aloud if someone stole her guitar. The singer...
Caring for Glaciers
Regional geopolitical processes have turned the Himalayan region of Ladakh, in northwest India, into a strategic border area with an increasing military presence that has decentered the traditional agropastoralist economy. This in turn has led to social fragmentation, the growing isolation of elders, and ethical dilemmas for those who strive to maintain traditional subsistence activities. Simultaneously, climate change is causing glaciers—a vital source of life in the region—to recede, which elders perceive as the consequence of a broken bond with the natural environment and the deities that inhabit the landscape. Caring for Glaciers looks at the causes and consequences of ongoing social...
ལ་དྭགས་རྩོམ་རིག་གི་བྱུང་བ་དང་གནས་བབ།
༄༅། །ད་ལམ་རྒོད་ཡུལ་བཀྲ་ཤིས་ཆོས་འཕེལ་གྱིས་ལ་དྭགས་ཀྱི་རྩོམ་རིག་གི་བྱུང་བ་དང་གནས་བབ་ཅེས་པའི་ཕྱག་དེབ་མཐོང་སྟེ་རབ་ཏུ་སྤྲོ་བ་བརྟས་ཤིང་། དེབ་དེའི་སྔོན་གླེང་ནས་བཟུང་དཀར་ཆག་དང་། དེབ་དངོས་གཞི། མཇུག་གི་མཆན་བཅས་རོབ་ཙམ་བལྟས་པར་མར་ཡུལ་ལ་དྭགས་ཀྱི་སློབ...
On African Music
Written by one of the best-known academic writers on African music, On African Music is a collection of seven essays addressing various techniques, influences, and scholarly approaches to African music. After a concise introduction spelling out the rationale for the book, successive chapters develop answers to questions such as: How does a "minimalist impulse" animate creativity in Africa, and does "Western minimalism" differ from "African minimalism"? How do we explain the prevalence of iconic effects in African expressive forms? How has (European) tonality functioned as a "colonizing force" in African music? Why is the (written) art music of the continent talked about so little when it has...
