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Inma Femenía: Infraleve / Infralleu / Infrathin
Inma Femenía's Duchampian take on physicality and perception as shaped by digital media Accompanying Spanish artist Inma Femenía's (born 1985) exhibition Infrathin at Bombas Gens Center d'Art in Valenica, Spain, this volume catalogs the artist's installations and digital works and her approach to interpreting the physical body and space.
Tour-isms
Tourism conceived as a political and cultural phenomenon, in full expansion thanks to the globalising process of late capitalism which, together with the consumer and leisure society and the information, communication and transport technologies, is radically transforming our territories and (space-time) perception of the world. A contemporary practice, mobility, yet different according to the place one is speaking from: perpetual present and pure space, deterritorialised, for the globalised; impossibility of the present and physically confined space for the localised. The uses of time and space are clearly differentiated and at the same time they themselves differentiate. The pursuit of happ...
Eye and landscape
Coeditado con Bombas Gens, el volumen Ojo y paisaje recoge una amplia selección de obras de Juan Uslé, uno de nuestros artistas más internacionales, que se muestran en los próximos meses en el centro de arte valenciano.00Así, Uslé vuelva a la tierra donde estudió e inició su trayectoria para mostrar un conjunto de obras que van desde fines de los ochenta hasta las series más recientes, donde se aprecia su evolución estilística: de la oscuridad de los melancólicos paisajes de su Santander natal al dinamismo y la luz de Nueva York, la ciudad en la que vive desde hace años. Un volumen que muestra, además, trabajos menos conocidos del pintor, como los deliciosos dibujos de The Book of Landscapes (1987-88) o las notas preparatorias para la serie SQR (2011-20). 00Exhibition: Bombas Gens Centre d'Art, Valencia, Spain (12.02.-12.09.2021).
Nicolás Ortigosa: Works 2002-2019
This book presents a series of drawings and engravings by Spanish artist Nicolás Ortigosa (born 1983) inspired by Dante Alighieri's Divine Comedy. Ortigosa produced these ominous black-and-white works between 2005 and 2014, organized into the series Purgatory, Hell and Heaven.
Tracking Europe
Tracking Europe is a bold interdisciplinary critique of claims regarding the free movement of goods, people, services, and capital throughout Europe. Ginette Verstraete interrogates European discourses on unlimited movement for everyone and a utopian unity-in-diversity in light of contemporary social practices, cultural theories, historical texts, media representations, and critical art projects. Arguing against the persistent myth of borderless travel, Verstraete shows the discourses on Europe to be caught in an irresolvable contradiction on a conceptual level and in deeply unsettling asymmetries on a performative level. She asks why the age-old notion of Europe as a borderless space of mob...
Sheela Gowda: Remains
A selection of multimedia works by acclaimed Indian postminimalist Sheela Gowda The installations and works on paper of Sheela Gowda (born 1957) present cultural ties to India through material--hair, cow dung, incense, natural pigments--and process, through ritualistic references to labor. Remainspresents Gowda's watercolors, prints and installations since 1992.
Juan Uslé Eye and Landscape
Catalog of the exhibition held at the Bombas Gens Centra d'Art, Valencia, Spain, February 12-September 12, 2021.
Afterall
Afterall, a journal of art, context, and enquiry offers in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year, Afterall also features essays on art history and critical theory. Issue 31 looks at artists working with or influenced by migration and cultural politics. Artists featured are, Lukas Duwenhögger, Paul Chan, Pauline Boudry/Renate Lorenz, Ivan Kozaric, Sven Augustijnen, Almgul Menlibayeva, and Slavs and Tatars, all of whose work focuses on or traverses different art centers and peripheries. Cultural theorist Vassilis Tsianos contributes an essay looking at European migration in relation to the euro zone crisis.
