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WINNER OF THE 2022 PULITZER PRIZE FOR FICTION 2021 NATIONAL JEWISH BOOK AWARD WINNER A NEW YORK TIMES NOTABLE BOOK OF 2021 A WALL STREET JOURNAL BEST BOOK OF 2021 A KIRKUS BEST FICTION BOOK OF 2021 "Absorbing, delightful, hilarious, breathtaking and the best and most relevant novel I’ve read in what feels like forever." —Taffy Brodesser-Akner, The New York Times Book Review Corbin College, not quite upstate New York, winter 1959–1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics that finds Joshua Cohen at the height of his powers.
The Criminal Child offers the first English translation of a key early work by Jean Genet. In 1949, in the midst of a national debate about improving the French reform-school system, Radiodiffusion Française commissioned Genet to write about his experience as a juvenile delinquent. He sent back a piece that was a paean to prison instead of the expected horrifying exposé. Revisiting the cruel hazing rituals that had accompanied his incarceration, relishing the special argot spoken behind bars, Genet bitterly denounced any improvement in the condition of young prisoners as a threat to their criminal souls. The radio station chose not to broadcast Genet’s views. “The Criminal Child” appears here with a selection of Genet’s finest essays, including his celebrated piece on the art of Alberto Giacometti.
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Bianca and Bernard, agents for The Prisoners' Aid Society of Mice, rescue prisoners and outwit villains in this story, made famous by the Disney film. After the dramatic rescue of the bravest mouse in Norway and narrow escape from the Black Castle a special commemorative medal is struck.
A book of creative metamorphosis and stunning visuals that will bend children's imaginations and appeal to all ages. "One of my own personal childhood favorites..." --Brian Selznick Thirteen is no ordinary picture book. It is book of visual and conceptual revolutions, metamorphoses, and narratives that swallow their own tails. In thirteen illustrated stories, plus "a preview of coming attractions," nothing less than the birth of the world, its duration, death, and rebirth occurs, in thirteen arresting and evolving tableaus, involving a sinking ship, a play, a leaf and caterpillar, a card trick, swans, a worm, Cinderella, the alphabet, paper magic, pyramids, a getting-thin-and-getting-fat-again dance, the fall and rise of civilization, and a countdown. This is not a book you read from beginning to end, so much as one you enter into, are absorbed by and transformed, like the thirteen tableaus themselves.
"Edward Gorey presents a curious event in two parts. All cats making merry... a butterfly cat (and another one) drifting aimlessly on a summer afternoon, a cat making an entrance, cats taking a barre, an emperor cat, a cat burglar, a cheerleading cat. And others. All murderesses making trouble... Angelica Transome disposing of her infant brother, Natasha Batti-Loupstein poisoning her guests, Lettice Finding, Elspeth Lipsleigh, Miss Emily Toastwater (whose father is no more). And others.
"Victor Baton is a wounded war veteran trying to reestablish his prewar lifestyle but avoid work. Living in a run-down boardinghouse, Baton spends his days searching Paris for the modest comforts of warmth, cheap meals, and friendship, but he finds little. Despite his desperate situation, Baton remains vain and unsympathetic, a Bovian antihero to the core. Bove himself called My Friends, published in France in 1923, a "novel of impoverished solitude."" --Book Jacket.
First published in 1959, Iona and Peter Opie's The Lore and Language of Schoolchildren is a pathbreaking work of scholarship that is also a splendid and enduring work of literature. Going outside the nursery, with its assortment of parent-approved entertainments, to observe and investigate the day-to-day creative intelligence and activities of children, the Opies bring to life the rites and rhymes, jokes and jeers, laws, games, and secret spells of what has been called "the greatest of savage tribes, and the only one which shows no signs of dying out."
In the deep winter snows of a Swedish hamlet, a strange young woman fakes a break-in at the house of an elderly artist in order to persuade her that she needs companionship. But what does she hope to gain by doing this? And who ultimately is deceiving whom? In this portrayal of two women grappling with truth and lies, nothing can be taken for granted. By the time the snow thaws, both their lives will have changed irrevocably.
A Caldecott Honor Book by the creators of the beloved Story of Ferdinand Wee Gillis lives in Scotland. He is an orphan, and he spends half of each year with his mother's people in the lowlands, while the other half finds him in the highlands with his father's kin. Both sides of Gillis's family are eager for him to settle down and adopt their ways. In the lowlands, he is taught to herd cattle, learning how to call them to him in even the heaviest of evening fogs. In the rocky highlands, he stalks stags from outcrop to outcrop, holding his breath so as not to make a sound. Wee Gillis is a quick study, and he soon picks up what his elders can teach him. And yet he is unprepared when the day comes for him to decide, once and for all, whether it will be the lowlands or the highlands that he will call his home. Robert Lawson and Munro Leaf's classic picture book is a tribute to the powers of the imagination and a triumph of the storyteller's and illustrator's art.