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For the monumental Poetry Competition in Six Hundred Rounds (Roppyakuban uta’awase), twelve poets each provided one hundred waka poems, fifty on seasonal topics and fifty on love, which were matched, critiqued by the participants and judged by Fujiwara no Shunzei, the premiere poet of his age. Its critical importance is heightened by the addition of a lengthy Appeal (chinjō) against Shunzei’s judgements by the conservative poet and monk, Kenshō. It is one of the key texts for understanding poetic and critical practice in late twelfth century Japan, and of the conflict between conservative and innovative poets. The Competition and Appeal are presented here for the first time in complete English translation with accompanying commentary and explanatory notes by Thomas McAuley.
Tokugawa Ieyasu founded a dynasty of rulers, organized a system of government and set in train the re-orientation of the religion of Japan so that he would take the premier place in it. Calm, capable and entirely fearless, Ieyasu deliberately brought the opposition to a head and crushed in a decisive battle, after which he made himself Shogun, despite not being from the Minamoto clan. He organized the Japanese legal and educational systems and encouraged trade with Europe (playing off the Protestant powers of Holland and England against Catholic Spain and Portugal). This book remains one of the few volumes on Tokugawa Ieyasu which draws on more material from Japanese sources than quotations from the European documents from his era and is therefore much more accurate and thorough in its examination of the life and legacy of one of the greatest Shoguns.
Grasses of Remembrance, the second volume of Edwin Cranston's monumental Waka Anthology, carries forward the story of Japanese court poetry, drawing on sources dating from the 890s to the 1080s. The book presents over 2,600 poems in lively and readable translation, including all 795 poems from The Tale of Genji.
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A lavish collector’s edition of the complete poems of eminent Japanese master of the haiku, Matsuo Bashō. Matsuo Bashō (1644–1694) is arguably the greatest figure in the history of Japanese literature and the master of the haiku. Bashō: The Complete Haiku of Matsuo Bashō offers in English a full picture of the haiku of Bashō, 980 poems in all. In Fitzsimons’s beautiful rendering, Bashō is much more than a philosopher of the natural world and the leading exponent of a refined Japanese sensibility. He is also a poet of queer love and eroticism; of the city as well as the country, the indoors and the outdoors, travel and staying put; of lonesomeness as well as the desire to be alone. Bashō: The Complete Haiku of Matsuo Bashō reveals how this work speaks to our concerns today as much as it captures a Japan emerging from the Middle Ages. For dedicated scholars and those coming upon Bashō for the first time, this beautiful collector’s edition of Fitzsimons’s elegant award-winning translation, with the original Japanese, allows readers to enjoy these works in all their glory.
"Shadowings" by Lafcadio Hearn. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This book is the first complete translation of the tenth-century work Kokinshu, one of the most important anthologies of the Japanese classical tradition.
A new simplified edition translated by Don Sanderson. The original three-volume work, first published in 1979, has been revised specially as a single volume paperback which concentrates on the development of Japanese literature.