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A fascinating portrait of a German village and the millennial production of its controversial Passion play, which has been staged once in each decade since 1634. In the summer of 2000, a half-million spectators from around the world will once again descend upon the small Bavarian village of Oberammergau, which despite wars, military occupation, religious censorship, and threats of boycott, has continued to honor its ancestral vow to stage the trial, crucifixion, and resurrection of Jesus once every ten years. In this wide-ranging cultural history, James Shapiro discusses the traditions and troubles of Oberammergau, from the legendary origins of its Passion play in the seventeenth century to ...
Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten
The history of the Oberammergau Passion Play begins in 1633. In the midst of the Thirty Years' War, as plagues brought suffering and death for months on end, the people of Oberammergau vowed that they would stage the 'play of the suffering, death and resurrection of our Lord Jesus Christ' every ten years. It was at Pentecost in 1634 that they first fulfilled this promise. In 2022, the community will present the Passion Play for the 42nd time, an unrivalled feat of continuity. Almost half the residents of Oberammergau, more than 2000 participants, mount the life of Jesus of Nazareth in a five-hour performance on the imposing open-air stage of the Passion Play Theatre in southern Bavaria. With...
Traces the origin of passion plays, and discounts the legend that the Oberammergau play was first performed in 1634, after the village was saved from a plague. Its true origin is in religious zealotry, antisemitism, and the profit motive. Surveys the various texts and concludes that the play falls far short of aesthetic demands, creates harmful stereotypes of Jews, and perpetuates the charge of deicide. Describes changes in the play during the Nazi era, its revival after World War II for financial profit, and recent unsuccessful efforts to revise the text. Pp. xv-xix contain an essay by Judson Shaver, "New Testament Roots of Christian Anti-Semitism."
Excerpt from The Passion Play of Oberammergau: Translated From the German Text With an Historical Introduction The vital essence of the Oberammergau Passion Play is the spirit poured into the mod ified form - a Spirit dominating the social, economic, and intellectual life of the people; time alone will tell whether the communal ideal and whether the communal mission, which guard the minds and hearts of two thousand Bavarian peasants, will be able in isolated reverence to withstand the sufi'using forces of civilization; every decade opens the sluices, and the village of Ammergau has to meet the demands of a transitory and curious crowd. The building of the new theatre for the production of 19...
Since it was first performed in 1634, the passion play at Oberammergau has been an unforgettable experience for many millions of people. Concise, compact, colorful, and informative, this latest in the Pilgrim’s Guide series will enable the visitor to make the most of their stay and evoke many lasting memories. Illustrated in full color, there is insight into the traditions and staging of the play and a brief synopsis as it unfolds on stage. Practical details include how to see the play, a plan of the village, and a guide to the surrounding area. This is the fifth edition with enlarged content. Ray Goodburn has organized and led groups there on numerous occasions and is doing so again in 2010.
ORIGINALLY but one lecture on the Oberammergau Passion Play was contemplated by the author. Developing his subject, he found himself obliged, in justice to his theme, to make of the one lecture three. The widespread interest which the treatment of the subject awakened, and the keen desire of large audiences, and of a yet larger reading public-both of Jews and non-Jews-to hear and read more and more of a Rabbi's Impressions of that unique presentation of the gospel story of Christ's Passion at Oberammergau, not only changed the three lectures into six, not only exhausted two large pamphlet issues of them, but has also necessitated this new edition, supplemented by a number of chapters, which ...