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A Year spent travelling as a young architect tuaght Pete Bossley how to 'read' a building and instilled in him a life-long love of drawing. In One Year Drawn he shares this voyage of discovery - and the places and people he encounters along the way. Now one of New Zealand's most respected architects, Pete writes of a European odyssey that saw him visit and sketch many of the world's great buildings. The reader joins him as he travels from London to Italy, onwards to Greece and Turkey, and north to visit the works of the great Scandanavian architects. Too poor to afford film for his camera, he resorts to buying a hotchpotch of sketchbooks in which to record his observations and thoughts. Part travelogue, part memoir, this unique book will appeal to lovers of architecture and art, and anyone who enjoys an intelligent and at times humorous read.
Gives practical advice on fixing up tenement apartments, shows how to disguise damaged walls and ceilings, and includes tips on light, storage space, windows, and use of color
"Mark Cleverley : designer is being launched on the occasion of the exhibition Mark Cleverley : Objectspace Master of craft curated by Jonty Valentine. Objectspace's Master of Craft series aims to tell the stories of New Zealand craft and design practitioners."--P. 5.
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Recognised for her contribution to wearable arts, Susan Holmes's work has also spanned the fields of craft, fashion and fabric art in which she has developed many of her own methods and techniques. Her story is told here through numerous images and an engaging, insightful narrative.
Parallel Universe: The Art and Design of Roy Good is accompanied by a generously illustrated book, authored by Hanfling with contributions by Andrew Paul Wood and Clifford. The publication features over 100 colour plates of Good's art and design, printed with vegetable-based inks on certified FSC paper stocks, section-sewn and glued with blind embossed cover features.
"During the [Khmer Rouge] regime, precious objects were closely guarded out of fear. Some were wrapped in plastic and buried underground, others were carefully hidden within household utility objects like pots or kettles, in the hope that they would not be found until reaching safety. Alive is an ongoing project by Cambodian artist Kim Hak that brings these objects into close view, exploring the stories of conflict and personal tragedy they carry with them. For the project Hak, who is based in Phnom Penh, met 12 families who came to New Zealand as refugees in the 1970s and 1980s. He documented the objects that travelled with them as they moved through border camps, refugee centres and ultimately as they settled to start new lives in Auckland. In this exhibition, the photographs appear alongside some of the actual objects. Alive demonstrates the power and importance objects can play in our lives, as vessels for memory and markers of change. The exhibition serves to celebrate Cambodian communities living in Aotearoa, creating a moment for greater understanding of their experience of extraordinary conflict and sacrifice."--ObjestSpace website.
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