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"Mark Cleverley : designer is being launched on the occasion of the exhibition Mark Cleverley : Objectspace Master of craft curated by Jonty Valentine. Objectspace's Master of Craft series aims to tell the stories of New Zealand craft and design practitioners."--P. 5.
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Parallel Universe: The Art and Design of Roy Good is accompanied by a generously illustrated book, authored by Hanfling with contributions by Andrew Paul Wood and Clifford. The publication features over 100 colour plates of Good's art and design, printed with vegetable-based inks on certified FSC paper stocks, section-sewn and glued with blind embossed cover features.
Gives practical advice on fixing up tenement apartments, shows how to disguise damaged walls and ceilings, and includes tips on light, storage space, windows, and use of color
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The human body lies at the centre of our relationship to fashion and textiles. Crafting Anatomies explores how the body has become a catalyst for archival research, creative dialogues and hybrid fabrications in fashion design. Focusing on how our response to the corporeal has shifted over time, the book looks at how it is currently influencing design and socio-material practices. With contributions from a multidisciplinary range of scholars and researchers, Crafting Anatomies examines how new technologies have become integrated with traditional fashion and textiles techniques, bringing together art, science and biomedical approaches. Traversing the cutting-edge of design research, the chapters take us from the forgotten lives of historical garments to the potential of biofabrication to cross the boundaries between skin and textile. Illustrated with 120 images visualising original research, the book reveals how the human body continues to inspire future design, from historical wearables to prosthetic limbs and 3D-printed footwear. In doing so, it provides an inspiring account of how fashion and textile culture now impacts socio-creativity and the formation of contemporary identity.
"In May 2006 some fifteen artists from New Zealand took over the Museum of Archaeology and Anthropology in Cambridge (UK) as part of Pasifika Styles, a groundbreaking experiment in the display of Pacific Art. Installing their works in cases next to taonga or treasures collected on the voyages of Cook and Vancouver, the artists flung open the stores of the museum to bring more of the museum's unparalleled Oceanic collections to light. At the opening of the exhibition, the song of ancient instruments played by contemporary musicians called historic artefacts to life, heralding a new era of collaborative curatorship in ethnographic museums. Over the next two years, visiting artists continued to...
"During the [Khmer Rouge] regime, precious objects were closely guarded out of fear. Some were wrapped in plastic and buried underground, others were carefully hidden within household utility objects like pots or kettles, in the hope that they would not be found until reaching safety. Alive is an ongoing project by Cambodian artist Kim Hak that brings these objects into close view, exploring the stories of conflict and personal tragedy they carry with them. For the project Hak, who is based in Phnom Penh, met 12 families who came to New Zealand as refugees in the 1970s and 1980s. He documented the objects that travelled with them as they moved through border camps, refugee centres and ultimately as they settled to start new lives in Auckland. In this exhibition, the photographs appear alongside some of the actual objects. Alive demonstrates the power and importance objects can play in our lives, as vessels for memory and markers of change. The exhibition serves to celebrate Cambodian communities living in Aotearoa, creating a moment for greater understanding of their experience of extraordinary conflict and sacrifice."--ObjestSpace website.
Integrated Image and Graphics Technologies attempts to enhance the access points to both introductory and advanced material in this area, and to facilitate the reader with a comprehensive reference for the study of integrated technologies, systems of image and graphics conveniently and effectively. This edited volume will provide a collection of fifteen contributed chapters by experts, containing tutorial articles and new material describing in a unified way, the basic concepts, theories, characteristic features of the technology and the integration of image and graphics technologies, with recent developments and significant applications.
This three-volume set LNCS 11901, 11902, and 11903 constitutes the refereed conference proceedings of the 10thth International Conference on Image and Graphics, ICIG 2019, held in Beijing, China, in August 2019. The 183 full papers presented were selected from 384 submissions and focus on advances of theory, techniques and algorithms as well as innovative technologies of image, video and graphics processing and fostering innovation, entrepreneurship, and networking.