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Odilon Redon is an unclassifiable artist. A contemporary of the Impressionists, his oeuvre found its source not in reality but in his own dreams. His work has two sides to it, which appear to be polar opposites: one sombre and anguished, the other colourful and lively, they nevertheless combine to conjure up a kind of Symbolist magic.
In this book all the works from the original collection are shown and discussed together for the first time.
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French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-siècle Paris. Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.
In reaction to the "narrow-mindedness" of his fellow artists, symbolist painter Odilon Redon (1840-1916) sought to open the door on the invisible. This volume showcases much of his work.
Published on the occasion of the largest ever Odilon Redon retrospective, held at the Grand Palais in Paris in the spring of 2011, this chunky but pocketbook-size paperback volume reproduces all 256 artworks included in the landmark exhibition. It begins with Redon's "Self-Portrait" of 1867 and then examines his famous suites of lithographs, including Dans le Rêve and the classic illustrations to Poe, Huysmans and Flaubert. All of the great pastels and oils are here, in full color, as well as lesser-known works like painted screens; throughout, each of the works is accompanied by the captions used in the exhibition, which provide details of provenance and, where relevant, edition size.
The works of French symbolist painter, printmaker, draughtsman & pastellist Odilon Redon (20 April 1840 - 6 July 1916). Volume 1 (of 3).