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Oladipo Agboluaje: Plays One
This is the first collection of plays by award-winning playwright Oladipo Agboluaje, a significant force in Black British drama. Described as an ‘exciting, vital new voice’ (Time Out), Agboluaje demonstrates his versatility to write plays that transcend African and British cultures. Early Morning is a satirical comedy about three Nigerian office cleaners who decide to mount a coup to institute Blackocracy in Great Britain. ‘The comedy is witty, astute and sublimely irresponsible‘ The Spectator The Estate centres on the conflicts within the wealthy Adeyemi family as they make funeral arrangements for their late patriarch, Chief Adeyemi. The Estate is also a social study of class confl...
Iya-Ile : The First Wife
It's 1989 in Lagos. Political hysteria and social change are sweeping Nigeria. Chief Adeyemi's wife Toyin is turning 40 and, behind the mansion walls, the household is preparing for her party. But there are other distractions. Their troublesome sons, returning from college, are more interested in seduction and starting revolutions than their parents' disintegrating marriage. Meanwhile Helen, the ambitious house girl, is waiting for her chance... Iya-Ile was in production at the Soho Theatre, London in Spring 2009.
New Nigerians
Nigeria: ‘the Giant of Africa’. Conservatives rule over the biggest economy on the continent, and one of the largest and youngest populations in the world. What if the people wanted something different? What if they got it? As time runs out to build a coalition which can challenge the ruling party, can progressive forces overcome their personal and political differences, or will their troubled pasts define an even more troubling future?
Immune
An ordinary school day. But today, there is no going home. When the rest of the world has forgotten your existence, where do you run when the Apocalypse looms? The dock? The navy base? Or do you just sit tight and ride the whole thing out? In a city overcome with death, we are finally forced to start living. A provocative and darkly comic new play, by award-winning playwright Oladipo Agboluaje, exploring our technological dependency, social resilience and the need to belong
The Hounding of David Oluwale
In May 1969, David Oluwale's body was pulled from the River Aire in Leeds. Eighteen months later, the investigation into his death was to rip apart the Yorkshire police force as two officers were prosecuted for killing the Nigerian immigrant whist in police custody.The police acts of prejudice and violence brought to light through the investigation of 1971 shook the population of Leeds, and thirty nine years on, the details of Oluwale's death still haunt the area. Through The Hounding of David Oluwale, an adaptation of Kester Aspden’s critically acclaimed text, Agboluaje uses carefully selected accounts of Oluwale's life to reveal how an optimistic and much loved showman who loved to dance, became the tragic victim of police persecution and brutality. Adapted as part of the Eclipse Theatre Initiative, a scheme dedicated to raising awareness for the work of aspiring Black dramatists, this play is a gripping drama that unravels the deep rooted prejudice that resides within contemporary society. The Hounding of David Oluwale opened at the West Yorkshire Playhouse at the end of January 2009.
The Garbage King
Inspired by the true story of an African childhood lived on the edge of destitution, award-winning Elizabeth Laird's The Garbage King takes readers on an unforgettable emotional journey. When Mamo's mother dies, he is abandoned in the shanties of Addis Ababa. Stolen by a child-trafficker and sold to a farmer, he is cruelly treated. Escaping back to the city, he meets another, very different runaway. Dani is rich, educated - and fleeing his tyrannical father. Together they join a gang of homeless street boys who survive only by mutual bonds of trust and total dependence on each other.
Africa on the Contemporary London Stage
This collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether — and, if so, to what extent — the Africa that emerges from the London scene is subject to stereotype, and/or in which ways the reception of audiences and critics have contributed to an understanding of the continent and its arts. The collection, divided into two parts, brings together well-established academics and emerging scholars, as well as playwrights, directors and performers currently active in London. With a focus on Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele, and Dipo Agboluaje, amongst others, the volume examines the work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included.
Diversity and Homogeneity
Diversity and Homogeneity explores current issues related to the nation, ethnicity and gender in literature, film, media and theatrical performance in both the UK and the USA. Employing a broad research framework, it investigates the problematics of migration, nomadism, nationhood, citizenship, patriotism, terrorism, totalitarianism, social and racial equality, as well as masculinity and femininity in modern multicultural societies. Keenly attuned to questions of alterity, social and cultural fluidity, and heterogeneous forms of identity, yet also sensitive to contemporary unifying tendencies informing an increasingly globalized world, the volume’s contributions critically interrogate and challenge the traditional notions attached to the three overarching categories of the book’s title.
Stages of Resistance: Theatre and Politics in the Capitalocene
"A collection of essays, interviews and reflections on themes related to making work for live performance in political and aesthetic resistance to forms and systems that oppress human rights and censor or severely limit freedom of expression. This book offers thoughtful, polemical articulations of practice and theory on the multiple meanings of political art, and the ways in which progressive, wholistic cultural change may be instigated through artworks."--Back cover.
Black British Drama
Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.
