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Oceans have had a mysterious allure for centuries, inspiring fears, myths, and poetic imaginations. By the early twentieth century, however, scientists began to see oceans as physical phenomena that could be understood through mathematical geophysics. The Fluid Envelope of Our Planet explores the scientific developments from the early middle ages to the twentieth century that illuminated the once murky depths of oceanography. Tracing the transition from descriptive to mathematical analyses of the oceans, Eric Mills examines sailors' and explorers' observations of the oceans, the influence of Scandinavian techniques on German-speaking geographers, and the eventual development of shared quantitative practices and ideas. A detailed and beautifully written account of the history of oceanography, The Fluid Envelope of Our Planet is also an engaging account of the emergence of a scientific discipline.
A child prodigy, Bull was admitted to the Bergen orchestra as first violin at the age of eight. He soon was idolized on both sides of the Atlantic for his superb improvisations and his ability to play the violin polyphonically. Though he was hailed as "the Paganini of the North," some critics labeled him a charlatan for his apparently magic tricks on the violin. Bull counted among his friends the great names of his era: Schumann and Lizst, Emerson and Wagner. Longfellow and Hans Christian Andersen modeled characters on him, and he was in part the inspiration for Ibsen's Peer Gynt. Although he spent most of his adult life abroad, Bull was a tireless promoter of Norwegian art and culture. His ...
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