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Poet and Hero in the Persian Book of Kings
A masterpiece of Persian Classical epic, the Shahnama or Book of Kings was composed by Abu'l-Qasem Ferdowsi at the beginning of the eleventh century. Because the Shahnama presents itself as a chronicle of the reigns of the shahs from the primordial founders to the Sasanian dynasty which ended in 651, scholarly attention has centered on the question of its historical accuracy. Addressing the literary as well as the historical and mythological aspects of the Shahnama, Olga M. Davidson makes this centerpiece of Iranian culture accessible to Western readers. Drawing on recent work in epic studies and oral poetics, Davidson considers analogies with Classical and medieval European narratives as sh...
The Oral Background of Persian Epics
This book proposes a set of criteria for determining the extent to which oral tradition influences written Persian epics. The criteria are applied to Persian epics, the Shah-name (c. 1000) and the Garshasp-name (c. 1064-66).
Ferdowsi's Shāhnāma
Ferdowsi's Shahnama: Millennial Perspectives celebrates the ongoing reception, over the last thousand years, of a masterpiece of classical Persian poetry. The epic of the Shahnama or Book of Kings glorifies the spectacular achievements of Iranian civilization from its mythologized beginnings all the way to the historical time of the Arab Conquest, when the notionally unbroken sequence of Iranian shahs came to an end. The poet Hakim Abu'l-Qasim, who composed this epic, was renamed Ferdowsi or "the man of Paradise" in recognition of his immortalizing artistic accomplishment. Even now, over a thousand years after his death in 1010 CE, the impact of Ferdowsi's epic poetry reverberates in the int...
The Arts of Iran in Istanbul and Anatolia
Much medieval Persianate artwork--including books illustrated with exquisite miniature paintings--was disassembled and dispersed as isolated art objects. In The Arts of Iran in Istanbul and Anatolia, a literary historian and six art historians trace the journey from the destructive dispersal of fragments to the joys of restoration.
Love at a Crux
Love at a Crux presents the emergence of versified love stories in the New Persian language as a crucial event in the history of romance. Using the tale of Vis & Rāmin (w. 1054) as its focal point, the book explores how Persian court poets in the eleventh century reconfigured "myths" and "fables" from the distant past in ways that transformed the love story from a form of evening entertainment to a method of ethical, political, and affective self-inquiry. This transformation both anticipates and helps to explain the efflorescence of romance in many medieval cultures across the western flank of Afro-Eurasia. Bringing together traditions that are often sundered by modern disciplinary boundaries, Love at a Crux unearths the interconnections between New Persian and comparable traditions in ancient and medieval Greek, Arabic, Georgian, Old French, and Middle High German, offering scholars in classics, medieval studies, Middle Eastern literatures, and premodern world literature a case study in literary history as connected history.
Brill's Companion to the Reception of Alexander the Great
Brill’s Companion to the Reception of Alexander the Great offers a considerable range of topics, of interest to students and academics alike, in the long tradition of this subject’s significant impact, across a sometimes surprising and comprehensive variety of areas. Arguably no other historical figure has cast such a long shadow for so long a time. Every civilisation touched by the Macedonian Conqueror, along with many more that he never imagined, has scrambled to “own” some part of his legacy. This volume canvasses a comprehensive array of these receptions, beginning from Alexander’s own era and journeying up to the present, in order to come to grips with the impact left by this influential but elusive figure.
Medieval Oral Literature
Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.
Globalization of Knowledge in the Post-Antique Mediterranean, 700-1500
The contributions to this volume enter into a dialogue about the routes, modes and institutions that transferred and transformed knowledge across the late antique Mediterranean and the Persian Gulf. Each contribution not only presents a different case study but also investigates a different type of question, ranging from how history-writing drew on cross-culturally constructed stories and shared sets of skills and values, to how an ancient warlord was transformed into the iconic hero of a newly created monotheistic religion. Between these two poles, the emergence of a new, knowledge-related, but market-based profession in Baghdad is discussed, alongside the long-distance transfer of texts, d...
The Oral Background of Persian Epics
This volume discusses the indirect influence of oral transmission on the genesis and evolution of the Persian written epic tradition. On the basis of formal characteristics of naqqâli (Persian storytelling) performance, a set of formal and thematic criteria is proposed to determine the extent to which written Persian epics show structures ultimately deriving from oral performance. It is applied to the Shâh-nâme of Ferdowsi (c. 1000) and to the Garshâsp-nâme of Asadi (c. 1064-66). The first part of the book examines the Oral-Formulaic Theory and proposes an alternative approach focusing on naqqâli. The book may be relevant to both oralists and Iranists; it demonstrates the complex process where orality interacts with written tradition in the genesis of the Shâh-nâme.
