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This compelling publication traces the broad arc of photography’s development in France from the 1970s to the present day. A decade-by-decade account reveals unexpected points of convergence between practices that are not usually considered in a comparative perspective. These include photographic practices in contemporary art, documentary, photojournalism, and fashion. Author Olga Smith sets these practices in dialogue with French philosophy – the writings of Roland Barthes, Jean Baudrillard, and Jacques Rancière – to produce an innovative study of the intersections between the photographic image, text, practice, and theory. This analysis is guided by an understanding of photography as deeply engaged with historical, cultural, and intellectual events that defined French national experience in the contemporary period. Landscape provides a particular focus to study issues of key significance, including national identification, colonial past, legacies of modernization and environmental breakdown.
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Memory has always been crucial to French literature and culture as a means of mediating the relationship between perception and knowledge of the individual coming to terms with his identity in time. Relatively recently, memory has also emerged as the key force in the creation of a collective consciousness in the wider perspective of French cultural history. This collection of essays, selected from the proceedings of a seminar on 'Memory' given by Dr Emma Wilson at the University of Cambridge, offers a fresh evaluation of memory as both a cultural and an individual phenomenon in modern and contemporary French culture, including literature, cinema and the visual arts. 'Anamnesia', the book's title, develops the Aristotelian concept of anamnesis: recollection as a dynamic and creative process, which includes forgetting as much as remembering, concealment as much as imagination. Memory in this extremely diverse range of essays is therefore far from being presented as a straightforward process of recalling the past, but emerges as the site of research and renegotiation, of contradictions and even aporia.
The theory of groups is simultaneously a branch of abstract algebra and the study of symmetry. Designed for readers approaching the subject for the first time, this book reviews all the essentials. It recaps the basic definitions and results, including Lagranges Theorem, the isomorphism theorems and group actions. Later chapters include material on chain conditions and finiteness conditions, free groups and the theory of presentations. In addition, a novel chapter of "entertainments" demonstrates an assortment of results that can be achieved with the theoretical machinery.
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In this first extensive analysis of Chris Marker and Alain Resnais's works, Nadine Boljkovac draws on concepts and images from film and Deleuzian philosophy to show the ethical possibilities of post-World War II cinema.
Between 1870 and 1920 as many as 2000 cameleers and 20,000 camels arrived in Australia from Afghanistan and northern India. Australia's Muslim Cameleers is a rich pictorial history of these men, their way of life and the vital role they played in pioneering transport and communication routes across outback Australia's vast expanses. Many of the images and artefacts in this fascinating account are published here for the first time, and this new edition contains additions to the biographical listing of more than 1200 cameleers.