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Who's Happy Now? A Comedy in Three Acts
The setting is an East Texas small-town bar, and the action covers three periods in the main character's life, at six, sixteen and twenty. He and his resilient, but resigned, mother frequent the bar so that the boy may at least get to know his father who comes there every day with his girlfriend, a waitress named Faye Precious. As the years pass, a sort of whimsical accommodation is achieved between these very different people, and the boy grows up divided between avenging his mother for the father's disloyalty and getting back at him for his own hurts, while still trying to win the paternal love and approval he so desperately wants. The son's talent for song writing eventually gives him the means to get away but when he asks his mother to join him she refuses. Once before she had tried to leave, but couldn't, and she has learned that it is better to shed her pride and keep even a share in the man she loves than to stand on this and have nothing.
Performing Arts
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George Lucas
Traces the life of the man who became well-known for his Star Wars movies, from his childhood in California to his career in films.
The O'Neill
"At the O'Neill, we were all engaged with full-hearted passion in sometimes the silliest of exercises, and all in service of finding that wiggly, elusive creature, a new play."—Meryl Streep "I would not be who or where I am today without the O'Neill."—Michael Douglas As the old ways of the commercial theater were dying and American playwriting was in crisis, the Eugene O’Neill Theater Center arose as a midwife to new plays and musicals, introducing some of the most exciting talents of our time (including August Wilson, Wendy Wasserstein, and Christopher Durang) and developing works that went on to win Pulitzer Prizes and Tony Awards. Along the way, it collaborated with then-unknown performers (like Meryl Streep, Michael Douglas, Courtney Vance, and Angela Bassett) and inspired Robert Redford in his creation of the Sundance Institute. This is the story of a theatrical laboratory, a place that transformed American theater, film, and television.
A Girl's Got To Breathe
The actress Teresa Wright (1918–2005) lived a rich, complex, magnificent life against the backdrop of Golden Age Hollywood, Broadway and television. There was no indication, from her astonishingly difficult—indeed, horrifying—childhood, of the success that would follow, nor of the universal acclaim and admiration that accompanied her everywhere. Her two marriages—to the writers Niven Busch (The Postman Always Rings Twice; Duel in the Sun) and Robert Anderson (Tea and Sympathy; I Never Sang for My Father)—provide a good deal of the drama, warmth, poignancy and heartbreak of her life story. “I never wanted to be a star,” she told the noted biographer Donald Spoto at dinner in 197...
Encyclopedia of Television Pilots
On November 27, 1937, NBC presented TV's first pilot film, Sherlock Holmes (then called an "experiment"). Thousands of pilot films (both unaired and televised) have been produced since. This updated and restyled book contains 2,470 alphabetically arranged pilot films broadcast from 1937 to 2019. Entries contain the concept, cast and character information, credits (producer, writer, director), dates, genre and network or cable affiliation. In addition to a complete performer's index, two appendices have been included: one detailing the pilot films that led to a series and a second that lists the programs that were spun off from one series into another. Never telecast pilot films can be found in the companion volume, The Encyclopedia of Unaired Television Pilots, 1945-2018. Both volumes are the most complete and detailed sources for such information, a great deal of which is based on viewing the actual programs.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
American Theatre
Volume Four of the distinguished American Theatre: A Chronicle of Comedy and Drama series offers a thorough, candid, and fascinating look at the theater in New York during the last decades of the twentieth century.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Broadway
This volume is another example in the Routledge tradition of producing high-quality reference works on theater, music, and the arts. An A to Z encyclopedia of Broadway, this volume includes tons of information, including producers, writer, composers, lyricists, set designers, theaters, performers, and landmarks in its sweep.
