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Red Spider
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Fortune's Little Heartbreaker
"Category: home and family"--Page 4 of cover.
The Leap
Unthinkable . . . impossible . . . unstoppable Six months ago, Sean had everything. Now she has nothing but her private detective work, one client with a missing husband, and a growing body count. All of the victims live in the same luxurious building as the missing husband. All of them have some connection with Pierce Sangstrom, the megacorp whose systems power every computer in the world. And, according to the medical examiner—who just happens to be Sean’s ex—all the autopsies are rife with bizarre, inexplicable anatomical findings. Are the victims time-traveling visitors? Nonhuman life-forms? Is there an unknown pathogen spreading like wildfire? A virus? Or something far worse? One thing’s certain: If it can’t be stopped, it could be the end of everything.
The Salesianum
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Historical Dictionary of German Cinema
The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinc...
