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This book is a sequel to Cine: Spanish Influences on Early Cinema in the Philippines, and part of Nick Deocampo’s extensive research on Philippine cinema. Tracing the beginnings of motion pictures from its Spanish roots, this book advances Deocampo’s scholarly study of cinema’s evolution in the hands of Americans.
We are immersed in the so-called digital energy network, continuously introducing new technological advances for a better way of life. Numerous emerging words are in the spotlight, namely: Internet of Things (IoT), Big Data, Smart Cities, Smart Grid, Industry 4.0, etc. To achieve this formidable goal, systems should work more efficiently, and this fact inevitably leads to power quality (PQ) assurance. Apart from its economic losses, a bad PQ implies serious risks for machines, and consequently for people. Many researchers are endeavoring to develop new analysis techniques, instruments, measurement methods, and new indices and norms that match and fulfil the requirements regarding the current...
This volume brings together contributions dealing with renewable energies and power quality, presented over five years of the International Conference on Renewable Energy and Power Quality (ICREPQ). It contains a selection of the best papers and original contributions presenting state-of-the-art research in the field of renewable energy sources. Including some of the leading authorities in their areas of expertise, the contributors to the volume are drawn from across the globe, with about 300 authors from 60 different countries.
The history of the Samaná Americans begins with their resettlement in 1824 from Philadelphia to the Samaná peninsula as part of the plan of the Haytian President Boyer to populate the first free black republic in the Western Hemisphere. Only a few decades later, the piece of land would become part of the Dominican Republic and witness several mechanisms of nation building. The preservation and hybridization of language, linguistic identity, group identity and collective memory due to displacement and transnational mobility, spanning a period of almost 200 years, are the focus of this study, which uses a multidisciplinary approach of cultural studies, ethnohistory, and sociolinguistics.
"Since 1999 the U.S. Latino & Latina WWII Oral History Project at the University of Texas at Austin has videotaped more than 500 interviews throughout the country and in Puerto Rico and Mexico." "This volume, featuring summaries of interviews and thumbnail photographs of the individuals, demonstrates the vast breadth of experiences of the Latino WWII generation. The interviews are arranged by wartime experiences - on the home front, as well as in the military - followed by postwar efforts."--BOOK JACKET.
Nick Deocampo’s continuing film saga investigates on its third volume how World War II affected the growth of cinema in the Philippines (1942-1945). Revealed in the book is a vast wealth of information about Japanese wartime manipulation of motion pictures that would only lead to the inglorious end of the colonial film cycle at war’s conclusion. This valuable construction of the country’s wartime film history uncovers significant intellectual efforts made by Japanese film critics and film artists who formed the Propaganda Corps assigned to the country. They conceived for Filipinos a “national” identity for their cinema, even while this was wrapped in a fascist, colonial, and militaristic context. Seventy years after the end of World War II, Deocampo triumphs over trauma and forgetfulness as he revisits the wartime period and its cinema. He provides a landmark contribution to historical memory as he uncovers one of the bleakest moments in Philippine film history.
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.