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Cherishing Antiquity
Cherishing Antiquity describes the commemoration within Chinese literature and culture of the southern kingdom of Wu, which collapsed in 473 BCE. The sudden rise and tragic fall of Wu within the space of just over one century would inspire numerous memorials in and around the city of Suzhou, once the capital of this ancient kingdom. A variety of physical structures, including temples, shrines, steles, and other monuments, were erected in memory of key figures in the kingdom’s history. These sites inspired further literary representations in poetry and prose—musings on the exoticism, glamour, great wealth, and hideous end of the last king of Wu. Through an analysis first of the history of Wu as recorded in ancient Chinese texts and then of its literary legacy, Olivia Milburn illuminates the remarkable cultural endurance of this powerful but short-lived kingdom
The Spring and Autumn Annals of Master Yan
The Spring and Autumn Annals of Master Yan is the biography of the most important statesmen and political thinkers of the Eastern Zhou dynasty China: Yan Ying (d. 500 BCE). Living through an exceptionally troubled period, he served three rulers and two dictators of the state of Qi, in Shandong Province. His experiences informed his revolutionary theories concerning the relationship between the individual and the state. Long considered to be a forgery, recent archaeological discoveries have proved the Spring and Autumn Annals of Master Yan to be a genuinely ancient text. This book provides not only the first complete translation of the text into any Western language, but a detailed analysis of the context in which it was produced.
The Glory of Yue
The Glory of Yue is the first translation into any Western language of the Yuejue shu, a collection of essays on history, literature, religion, architecture, economic thought, military science, and philosophy related to the ancient kingdoms of Wu and Yue, in present day eastern China. This book consists of sixteen chapters, together with three additional chapters of explanation written by the compilers in approximately 25 CE. This translation is presented with copious annotations and explanations, linking the concepts discussed with the development of the mainstream Chinese cultural tradition, and draws on both modern Western and Chinese exegesis, as well as archeological discoveries, to elucidate this highly complex and unjustly neglected text.
Decoded
Decoded tells the story of Rong Jinzhwen, one of the great code-breakers in the world. A semi-autistic mathematical genius, Jinzhen is recruited to the cryptography department of China's secret services, Unit 701, where he is assigned the task of breaking the elusive 'Code Purple'. Jinzhen rises through the ranks to eventually become China's greatest and most celebrated code-breaker; until he makes a mistake. Then begins his descent through the unfathomable darkness of the world of cryptology into madness. Decoded was an immediate success when it was published in 2002 in China and has become an international bestseller. With the pacing of a literary crime thriller, Mai Jia's masterpiece also...
Kingdoms in Peril
"Kingdoms in Peril is an epic historical novel covering the five hundred and fifty years of the Eastern Zhou dynasty, from the civil wars and invasions that marked the birth of a new regime in 771 BCE to the unification of China in 221 BCE. Kingdoms in Peril was written in the 1640s, at the very end of the Ming dynasty, by the great novelist Feng Menglong (1574-1646). In the course of the one hundred and eight chapters of the complete novel, he documents the collapse of the Zhou confederacy during the Spring and Autumn period (771-475 BCE) and the slow rebuilding of civil society during the Warring States era (475-221 BCE) which culminated in the unification of China under the First Emperor of the Qin dynasty (r. 246-221 BCE as king; r. 221-210 BCE as emperor). Thus overall this novel describes a grand arc, from stability to chaos and back again. As a novel about politics, much of the narrative in Kingdoms in Peril concentrates on the exercise of power"--
Commentarial Transformation of the Spring and Autumn, The
Shows how the text evolved from a non-narrative historical record into a Confucian classic. The Spring and Autumn is among the earliest surviving Chinese historical records, covering the period 722479 BCE. It is a curious text: the canonical interpretation claims that it was composed by Confucius and embodies his moral judgments, but this view appears to be contradicted by the brief and dispassionate records themselves. Newell Ann Van Auken addresses this puzzling discrepancy through an examination of early interpretations of the Spring and Autumn, and uncovers a crucial missing link in two sets of commentarial remarks embedded in the Zu? Tradition. These embedded commentaries do not seek moral judgments in the Spring and Autumn, but instead interpret its records as produced by a historiographical tradition that was governed by rules related to hierarchy and ritual practice. Van Aukens exploration of the Zu? Tradition and other early commentaries sheds light on the transformation of the Spring and Autumn from a simple, non-narrative historical record into a Confucian classic.
Xuanhe Catalogue of Paintings
Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100–1125). Dated to 1120, the Catalogue is divided into ten categories of subject matter. Under Daoist and Buddhist Subjects, Figural Subjects, Architecture, Barbarian Tribes, Dragons and Fish, Landscape, Domestic and Wild Animals, Flowers and Birds, Ink Bamboo, and Vegetables and Fruit are biographies of 231 painters, ranging from famous early masters, such as Wu Daozi (ca. 685-758) and Li Cheng (919-967), to otherwise unknown artists of the Song-dynasty court, including fourteen eunuch officials and sixteen male and female members of the royal family. T...
Literate Community in Early Imperial China
Through an examination of archaeologically recovered texts from China’s northwestern border regions, argues for widespread interaction with texts in the Han period. This book examines ancient written materials from China’s northwestern border regions to offer fresh insights into the role of text in shaping society and culture during the Han period (206/2 BCE–220 CE). Left behind by military installations, these documents—wooden strips and other nontraditional textual materials such as silk—recorded the lives and activities of military personnel and the people around them. Charles Sanft explores their functions and uses by looking at a fascinating array of material, including posted...
Buried Ideas
The discovery of previously unknown philosophical texts from the Axial Age is revolutionizing our understanding of Chinese intellectual history. Buried Ideas presents and discusses four texts found on brush-written slips of bamboo and their seemingly unprecedented political philosophy. Written in the regional script of Chu during the Warring States period (475–221 BCE), all of the works discuss Yao's abdication to Shun and are related to but differ significantly from the core texts of the classical period, such as the Mencius and Zhuangzi. Notably, these works evince an unusually meritocratic stance, and two even advocate abdication over hereditary succession as a political ideal. Sarah Allan includes full English translations and her own modern-character editions of the four works examined: Tang Yú zhi dao, Zigao, Rongchengshi, and Bao xun. In addition, she provides an introduction to Chu-script bamboo-slip manuscripts and the complex issues inherent in deciphering them.
Spring and Autumn Historiography
The Spring and Autumn is an annals text composed of brief records covering the period 722–479 BCE and written from the perspective of the ancient Chinese state of Lu. A long neglected part of the Chinese canon, it is traditionally ascribed to Confucius, who is said to have embedded his evaluations of events within the text. However, the formulaic and impersonal records do not resemble the repository of moral judgments that they are alleged to be. Driven by her discovery that the Spring and Autumn is governed by a system of rules, Newell Ann Van Auken argues that Lu record-keepers—not a later editor—produced the formally regular core of the text. She demonstrates that the Spring and Aut...
