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Ancestry played a continuous role in the construction and portrayal of Roman emperorship in the first three centuries AD. Emperors and Ancestors is the first systematic analysis of the different ways in which imperial lineage was represented in the various 'media' through which images of emperors could be transmitted. Looking beyond individual rulers, Hekster evaluates evidence over an extended period of time and differentiates between various types of sources, such as inscriptions, sculpture, architecture, literary text, and particularly central coinage, which forms the most convenient source material for a modern reconstruction of Roman representations over a prolonged period of time. The ...
For centuries, Roman emperors ruled a vast empire. Yet, at least officially, the emperor did not exist. No one knew exactly what titles he possessed, how he could be portrayed, what exactly he had to do, or how the succession was organised. Everyone knew, however, that the emperor held ultimate power over the empire. There were also expectations about what he should do and be, although these varied throughout the empire and also evolved over time. How did these expectations develop and change? To what degree could an emperor deviate from prevailing norms? And what role did major developments in Roman society – such as the rise of Christianity or the choice of Constantinople as the new capital – play in the ways in which emperors could exercise their rule? This ambitious and engaging book describes the surprising stability of the Roman Empire over more than six centuries of history.
"For centuries, Roman emperors ruled a vast empire. Yet, at least officially, the emperor did not exist. No one knew exactly what titles he possessed, how he could be portrayed, what exactly he had to do, or how the succession was organised. Everyone knew, however, that the emperor held ultimate power over the empire. There were also expectations about what he should do and be, although these varied throughout the empire and also evolved over time. How did these expectations develop and change? To what degree could an emperor deviate from prevailing norms? And what role did major developments in Roman society - such as the rise of Christianity or the choice of Constantinople as the new capital - play in the ways in which emperors could exercise their rule? This ambitious and engaging book describes the surprising stability of the Roman Empire over more than six centuries of history"--
This volume looks at various ways in which royal images functioned within different ideological frameworks in the ancient Near East, Greece and Rome. It argues that visibility lies at the heart of power, especially under monarchic rule. The contributions highlight how, throughout the ancient Mediterranean, patterns can be detected in the use of royal images. There seem to have been continuous (re)negotiations between innovation and tradition, East and West, and between aerealAe and aeimaginaryAe kings. Contents Richard Fowler / Olivier Hekster: Imagining kings: From Persia to Rome Lindsay Allen: Le roi imaginaire: An audience with the Achaemenid king Peter Thonemann: The tragic king: Demetrios Poliorketes and the city of Athens Margherita Facella: Roman perception of Commagenian royalty Matthew Gisborne: A curia of kings: Sulla and royal imagery Richard Fowler: aeMost fortunate rootsAe: Tradition and legitimacy in Parthian royal ideology Olivier Hekster: Captured in the gaze of power: Visibility, games and Roman imperial representation Ted Kaizer: Kingly priests in the Roman Near East? Bibliography Index
The emperor Commodus (AD 180-192) has commonly been portrayed as an insane madman, whose reign marked the beginning of the end of the Roman Empire. Indeed, the main point of criticism on his father, Marcus Aurelius, is that he appointed his son as his successor. Especially Commodus’ behaviour as a gladiator, and the way he represented himself with divine attributes (especially those of Hercules), are often used as evidence for the emperor’s presumed madness. However, this ‘political biography’ will apply modern interpretations of the spectacles in the arena, and of the imperial cult, to Commodus' reign. It will focus on the dissemination and reception of imperial images, and suggest that there was a method in Commodus’ madness.
A discursive look at the key debates that evolved from this period of the Roman Empire.
This volume presents the proceedings of the ninth workshop of the international network 'Impact of Empire', which concentrates on the history of the Roman Empire. It focuses on different ways in which Rome created, changed and influenced (perceptions of) frontiers.
Explores how artists and patrons at all social levels helped form and evolve the visual language of the Roman Empire.
This volume presents the proceedings of the eighth workshop of the international network 'Impact of Empire', which concentrates on the history of the Roman Empire. It focuses on the impact the Roman Empire had on changes in ritual and further religious behaviour in the empire.
From the days of the emperor Augustus (27 B.C.-A.D. 14) the emperor and his court had a quintessential position within the Roman Empire. It is therefore clear that when the Impact of the Roman Empire is analysed, the impact of the emperor and those surrounding him is a central issue. The study of the representation and perception of Roman imperial power is a multifaceted area of research, which greatly helps our understanding of Roman society. In its successive parts this volume focuses on 1. The representation and perception of Roman imperial power through particular media: literary texts, inscriptions, coins, monuments, ornaments, and insignia, but also nicknames and death-bed scenes. 2. The representation and perception of Roman imperial power in the city of Rome and the various provinces. 3. The representation of power by individual emperors.