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The City Always Wins
Winner of the the Betty Trask Prize 2018 Winner of the Best Debut Under 35 from the Soeicty of Authors Winner of the Prix de le Litterature, Institut Du Monde Arabe A Boston Globe and White Review Book of the Year Egypt, 2011: this is a revolution. On the streets of Cairo, a violent uprising is transforming the course of history. Mariam and Khalil, two young activists, are swept up in the fervour. Their lives will never be the same again. The City Always Wins captures the feverish intensity of the 2011 Egyptian revolution - from the euphoria of mass protests, to the silence of the morgue - piercing the bloody heart of the uprising.
The City Always Wins
Named as one of the Best Books of 2017 by The Boston Globe and The Arts Desk We've been doing the same thing for hundreds of years. Marching, fighting, chanting, dying, changing, winning, losing . This time will be different. This time the future can still be made new. The City Always Wins is a novel from the front line of a revolution. Deeply enmeshed in the 2011 uprising in Tahrir Square, Mariam and Khalil move through Cairo’s surging streets and roiling political underground, their lives burning with purpose, their city alive in open revolt, the world watching, listening, as they chart a course into an unknown future. They are—they believe—fighting a new kind of revolution; they are...
De stad wint altijd
De stad wint altijd is een opmerkelijke roman over een van de belangrijkste gebeurtenissen van de afgelopen jaren, de Arabische Lente. Omar Hamiltons debuut schakelt tussen hoogtepunten als de nachtelijke veldslagen tegen de politie en dieptepunten als zijn eenzaamheid in New York na de nederlaag, en dompelt de lezer daarmee onder in een van de meest wezenlijke gebeurtenissen van de 21ste eeuw. Hamiltons proza is beklemmend visueel, intens lyrisch en ongegeneerd politiek.
Translating Dissent
*Written by the winners of the Inttranews Linguists of the Year award for 2016!* Discursive and non-discursive interventions in the political arena are heavily mediated by various acts of translation that enable protest movements to connect across the globe. Focusing on the Egyptian experience since 2011, this volume brings together a unique group of activists who are able to reflect on the complexities, challenges and limitations of one or more forms of translation and its impact on their ability to interact with a variety of domestic and global audiences. Drawing on a wide range of genres and modalities, from documentary film and subtitling to oral narratives, webcomics and street art, the...
Planned Violence
This book brings the insights of social geographers and cultural historians into a critical dialogue with literary narratives of urban culture and theories of literary cultural production. In so doing, it explores new ways of conceptualizing the relationship between urban planning, its often violent effects, and literature. Comparing the spatial pasts and presents of the post-imperial and post/colonial cities of London, Delhi and Johannesburg, but also including case studies of other cities, such as Chicago, Belfast, Jerusalem and Mumbai, Planned Violence investigates how that iconic site of modernity, the colonial city, was imagined by its planners — and how this urban imagination, and the cultural and social interventions that arose in response to it, made violence a part of the everyday social life of its subjects. Throughout, however, the collection also explores the extent to which literary and cultural productions might actively resist infrastructures of planned violence, and imagine alternative ways of inhabiting post/colonial city spaces.
The Outcast Hours
These are the stories of people who live at night: under neon and starlight, and never the light of the sun. These are the stories of poets and police, tourists and traders; the hidden and the forbidden; the lonely and the lovers. This is their time. The Outcast Hours gathers over two dozen brand-new stories from award-winning writers across genres and continents, including bold new fiction from Marina Warner, Frances Hardinge, China Miéville, Sami Shah, Omar Robert Hamilton, Kuzhali Manickavel, Will Hill, Indrapramit Das, Silvia Moreno Garcia, Jeffrey Alan Love, Maha Khan Phillips, and many, many more.
La città vince sempre
«La città vince sempre è un romanzo limpido, toccante, umano sull’innocenza e il coraggio politici. Il suo ritratto della rivoluzione egiziana del 2011 è una novità assoluta.» Richard Ford «Omar Hamilton ci accompagna nell’effervescente speranza e nello straziante dolore del movimento di protesta, affrontando l’eterna questione di ciò che i vivi debbano ai morti. Imperdibile. Un debutto abbagliante.» Naomi Klein «La città vince sempre restituisce dall’interno l’immagine di un movimento popolare che noi tutti abbiamo visto da fuori. Non rileggeremo presto una storia fatta rivivere con tanta maestria. » Philip Pullman «La speranza, l’entusiasmo, l’audacia, la delusio...
Beer in the Snooker Club
Waguih Ghali was raised in Cairo but spent much of his adult life studying and working in Europe. In Beer in the Snooker Club, Ghali chronicles the lives of Cairo's upper crust who, after the fall of King Farouk, are thoroughly unprepared to change its neo-feudal ways. Beer in the Snooker Club was the only book written by Ghali before his suicide in 1968. "Ghali's novel reproduces a cultural state of shock with great accuracy and great humor."–James Marcus of The Nation
Cairo
Over the past few months I have delivered lectures, presentations and interviews on the Egyptian Revolution. I have had overflowing houses everywhere, been stopped by old ladies in the street and had my hand shaken by numerous taxi drivers and shopkeepers. And all because I’m Egyptian and the glitter of Tahrir is upon me. They wanted me to talk to them, to tell them stories about it, to tell them how, on the 28th of January when we took the Square and The People torched the headquarters of the hated ruling National Democratic Party, The (same) People formed a human chain to protect the Antiquities Museum and demanded an official handover to the military; to tell them how, on Wednesday, Feb...
This Is Not a Border
Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world. The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power." Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, an...
