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The Succession of Organists of the Chapel Royal and the Cathedrals of England and Wales from C. 1538
The office of cathedral organist has perhaps the longest lineage of any branch of the musical profession in England and Wales, and its occupants, many of them among the leading musicians of their day, have done much to shape the character of musical life. This book establishes, cathedral by cathedral, the chronological sequence of these musicians from about the middle of the sixteenth century to the present time, with detailed references to historic archives. Where additional material is available, this is surrounded by details of each man's personality, the character of his training, work, and tenure, and also his relations with colleagues and superiors, while reference is made to any contribution to wider spheres of musical activity. This book provides material towards musical biography and some aspects of the sociology of music, and illuminates the changing conditions of cathedral musical life.
Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-century England
Works of fiction about musical heroines help to illustrate society's views about the role of music in nineteenth-century women's lives and, occasionally, the consequences experienced by those women who did not abide by societal norms. Finally, perusal of published music by Stirling and her colleagues gives insight into compositional styles and practices and, when publicized in reviews, the value placed on these works."--BOOK JACKET.
Organists and Organ Playing in Nineteenth-Century France and Belgium
The art of the organist in nineteenth-century France and Belgium is a rags-to-riches story full of extraordinary problems and changes. Devastated by the French Revolution, the organ profession rose from desperate circumstances to a period of remarkable brilliance. By the end of the nineteenth century, organ playing was enthusiastically applauded and had been thoroughly integrated in the musical life of Paris. This account is not just a record of stellar events and famous names: it includes failures, all-but-forgotten musicians, and unexpected encounters. In a carefully documented study that is both scholarly and engaging. Orpha Ochse traces three major aspects of the organist's art: the development of the secular recital, the organist as church musician, and the education of organists. In addition to presenting a comprehensive view of the organ profession in France and Belgium throughout the period, she offers a new perspective on nineteenth-century music in general.
Notes on Old London City Churches
Excerpt from Notes on Old London City Churches: Their Organs, Organists, and Musical Associations Since the days of Stow there has been no lack of literature concerning the old City Churches of London; consequently, some kind of apology is needed for the adddition of yet another book to the already lengthy list. But, while previous works - whether in book, article or lecture form - have dealt, more or less fully, with the history and architecture of these interesting buildings, not one has given but the barest possible mention of the musical associations which cling so closely to well-nigh every one of them. It is hoped that the present volume may serve as a convenient guide to anyone visiti...
