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Established in 2009, MadeIn Company is an artists' collective founded by Shanghai-based artist, Xu Zhen (b.1977). Exploring notions of identity, authorship, ethics and commerce, MadeIn's practice embraces a wide range of formal and conceptual strategies. 9 March - 12 May 2012.
In light of current discourses on AI and robotics, what do the various experiences of art contribute to the rethinking of technology today? Art and Cosmotechnics addresses the challenge of technology to the existence of art and traditional thought, especially in light of current discourses on artificial intelligence and robotics. It carries out an attempt on the cosmotechnics of Chinese landscape painting in order to address this question, and further asks: What is the significance of shanshui (mountain and water) in face of the new challenges brought about by the current technological transformation? Thinking art and cosmotechnics together is an attempt to look into the varieties of experiences of art and to ask what these experiences might contribute to the rethinking of technology today.
"Ismar David made his career over a broad spectrum of applied art. His work is exciting, not merely because of its technical excellence, but because it resonates with clarity and color of a distinct and distinctive artistic voice. The Work of Ismar David collects, for the first time, the designer’s lifework. It follows his artistic development from his training in Berlin through his career in Jerusalem and New York. In 1954 David Hebrew indelibly changed the faces of modern Hebrew typography. Among David’s most important book projects are Les Pensées (1971), The Psalms (1973), Our Calligraphic Heritage (1979) and The Hebrew Letter: Calligraphic Variations (1990). His designs for architecture integrate space and ornament, and create public areas graced with decorative detail rarely seen in contemporary settings. A bibliography of known book work is included."--
Author of the influential Relational Aesthetics examines the dynamics of ideology Leading theorist and art curator Nicolas Bourriaud tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform. He argues that the great theoretical battles to come will be fought in the realms of ideology, psychoanalysis and art. A “realist” theory and practice must begin by uncovering the mechanisms that create the distinctions between the productive and unproductive, product and waste, and the included and excluded. To do this we must go back to the towering theorist of ideology Louis Althusser and examine how ideology conditions political discourse in ways that normalize cultural, racial and economic practices of exclusion.
(Piano/Vocal/Guitar Artist Songbook). 12 songs from the third album by this Mississippi rock band: Behind Those Eyes * Here by Me * It's Not Me * Landing in London * Let Me Go * My World * The Real Life * Right Where I Belong * and more.
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