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In this volume Oldroyd recounts the events leading up to and following the assassination, including several chapters on the trials of the conspirators. Oldroyd recounts in great detail the trip he took in May, 1901, in which he traced the route that John Wilkes Booth took during his escape and capture and interviewed several who aided the assassin in high flight. Oldroyd's account is enhanced by his references to the many sources in his collection and augmented further in the accompanying 82 illustrations.
Justin S. Solonick, PhD, is an adjunct instructor in the Department of History and Geography at Texas Christian University. His most recent publication, "Saving the Army of Tennessee: The Confederate Rear Guard at Ringgold Gap," appeared in The Chattanooga Campaign, published by SIU Press in 2012.
Lincoln’s incredible ascent to power in a world of chaos is newly revealed in this “compelling, original, and elegantly written” (Michael Beschloss, New York Times bestselling author) third volume of the “magisterial” (The New York Times Book Review) Political Life of Abraham Lincoln series, following A Self-Made Man and Wrestling with His Angel. After a period of depression that he would ever find his way to greatness, Lincoln takes on the most powerful demagogue in the country, Stephen Douglas, in the debates for a senate seat. He sidelines the frontrunner William Seward, a former governor and senator for New York, to cinch the new Republican Party’s nomination. All the Powers ...
Anyone who pays attention to the popular press knows that the new media will soon make books obsolete. But predicting the imminent demise of the book is nothing new. At the beginning of the twentieth century, for example, some critics predicted that the electro-mechanical phonograph would soon make books obsolete. Still, despite the challenges of a century and a half of new media, books remain popular, with Americans purchasing more than eight million books each day. In How Books Came to America, John Hruschka traces the development of the American book trade from the moment of European contact with the Americas, through the growth of regional book trades in the early English colonial cities...
In this insightful, erudite history of presidential campaign music, musicologist Benjamin Schoening and political scientist Eric Kasper explain how politicians use music in American presidential campaigns to convey a range of political messages. From “Follow Washington” to “I Like Ike” to “I Got a Crush on Obama,” they describe the ways that song use by and for presidential candidates has evolved, including the addition of lyrics to familiar songs, the current trend of using existing popular music to connect with voters, and the rapid change of music’s relationship to presidential campaigns due to Internet sites like YouTube, JibJab, and Facebook. Readers are ultimately treated to an entertaining account of American political development through popular music and the complex, two-way relationship between music and presidential campaigns.
Mary Lincoln is a lightning rod for controversy. Stories reveal widely different interpretations, and it is impossible to write a definitive version of her life that will suit everyone. The thirteen engaging essays in this collection introduce Mary Lincoln’s complex nature and show how she is viewed today. The authors’ explanations of her personal and private image stem from a variety of backgrounds, and through these lenses—history, theater, graphic arts, and psychiatry—they present their latest research and assessments. Here they reveal the effects of familial culture and society on her life and give a broader assessment of Mary Lincoln as a woman, wife, and mother. Topics include ...
Music was everywhere during the Civil War. Tunes could be heard ringing out from parlor pianos, thundering at political rallies, and setting the rhythms of military and domestic life. With literacy still limited, music was an important vehicle for communicating ideas about the war, and it had a lasting impact in the decades that followed. Drawing on an array of published and archival sources, Christian McWhirter analyzes the myriad ways music influenced popular culture in the years surrounding the war and discusses its deep resonance for both whites and blacks, South and North. Though published songs of the time have long been catalogued and appreciated, McWhirter is the first to explore what Americans actually said and did with these pieces. By gauging the popularity of the most prominent songs and examining how Americans used them, McWhirter returns music to its central place in American life during the nation's greatest crisis. The result is a portrait of a war fought to music.