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Highlights in Performance Science: Music Performance Anxiety
VIEW BOOK DETAILS We are pleased to introduce the collection Frontiers in Psychology – Highlights in Performance Science: Music Performance Anxiety. Music performance anxiety (MPA) has been defined as “the experience of marked and persistent anxious apprehension related to musical performance”. For musicians performing in public is a demanding activity and the MPA can cause potential debilitating effects on their career and health, regardless of age, gender, experience, practicing time, and music genre. A greater understanding of the predicting factors of MPA has implications not only for theories of MPA but also for its prevention and management and more broadly for teaching and learning. This collection will welcome and showcase a selection of articles about Music Performance Anxiety (MPA), authored by leaders in the field. The work presented here highlights the broad diversity of research performed across the Performance Science field and aims to put a spotlight on the main areas of interest. This collection aims to further support Frontiers’ strong community by shining a spotlight on our authors' highly impactful research.
Labor Rights in El Salvador
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Government Gazette
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Ranquil
The first major history of Chile’s most significant peasant rebellion and the violent repression that followed In 1934, peasants turned to revolution to overturn Chile’s oligarchic political order and the profound social inequalities in the Chilean countryside. The brutal military counterinsurgency that followed was one of the worst acts of state terror in Chile until the military dictatorship of Augusto Pinochet (1973–1990). Using untapped archival sources, award-winning scholar Thomas Miller Klubock exposes Chile’s long history of political violence and authoritarianism and chronicles peasants’ movements to build a more just and freer society. Klubock further explores how an amnesty law that erased both the rebellion and the military atrocities lay the foundation for the political stability that characterized Chile’s multi-party democracy. This historical amnesia or olvido, Klubock argues, was a precondition of national reconciliation and democratic rule, which endured until 1973, when conflict in the countryside ended once again with violent repression during the Pinochet dictatorship.
