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Las reformas agrarias del Frente Nacional
En este libro se presentan los resultados de investigación del Observatorio de tierras sobre la reforma agraria más importante del siglo XX en Colombia. El Frente Nacional (1958-1974) fue un acuerdo de cogobierno entre los dos grandes partidos de ese momento, el Liberal y el Conservador, que habían estado adelantando ‘una guerra civil no declarada’ durante el periodo inmediatamente anterior, conocido como La Violencia. Durante el Frente Nacional se aprobaron dos grandes leyes de reforma agraria: una en 1961 (Ley 135) y otra en 1968 (Ley 1). Entre los propósitos de la segunda estaba profundizar y desarrollar la primera. Finalmente, desde enero de 1972 a través del llamado Pacto de Ch...
La tierra prometida
Esta obra presenta el trabajo de investigación realizado durante cinco años por el equipo interdisciplinario del Observatorio de Restitución y Regulación de Derechos de Propiedad Agraria, el cual está conformado por unidades académicas de las universidades Nacional, Rosario, Norte, Sergio Arboleda y Sinú. Esta iniciativa financiada por Colciencias incluyó dentro de su agenda de investigación un seguimiento a la implementación de la política desde distintos enfoques metodológicos y disciplinarios. Los equipos de investigación recolectaron información en distintas zonas del país, principalmente en el Caribe colombiano, mediante entrevistas a víctimas del conflicto armado, empresarios, políticos, funcionarios públicos, jueces y magistrados de restitución de tierras e hicieron un seguimiento a las sentencias de restitución de tierras. Así mismo, con el fin de recoger un cuerpo sólido de evidencia, participaron también en intervenciones en instancias como la Corte Constitucional, para así presentar las sólidas conclusiones que se recogen en este libro.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
The Mosquito Bite Author
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
Too Late for Man
A provocative collection of essays, is at once a scathing and poetic critique of the pitfalls of modern society.
The Italian
An emblematic story of the shipwreck of the Arab Spring At his father's funeral, to the great consternation of all present, Abdel Nasser beats the imam who is celebrating the funeral rite. The narrator, a childhood friend of the protagonist, retraces the story of "the Italian" from his days as a free and rebellious adolescent spirit to the leader of a student movement and then affirmed journalist. Those were crucial years in Tunisia, years of great tension, change, and repression. Against this background full of revolutionary ferments stands the tormented love story between Abdel Nasser and Zeina, a brilliant and beautiful philosophy student. Their dreams will unfortunately end up being wrecked under the ruthless gears of a corrupt and chauvinist society. Abdel Nasser's transformation from a young idealist with high hopes to a successful, but disillusioned and tired journalist is masterfully narrated in a stream of stories, digressions and flashbacks in which the narrative tension is always high. Winner of the 2015 International Prize for Arabic Fiction
Killing the Water
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About Trees
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
Mud Sweeter than Honey
"[An] incredibly moving collection of oral histories . . . important enough to be added to the history curriculum" Telegraph "A moving evocation of the 'everyday terror' systematically perpetrated over 41 years of Albanian communism . . . An illuminating if harrowing insight into life in a totalitarian state." Clarissa de Waal, author of ALBANIA: PORTRAIT OF A COUNTRY IN TRANSITION "Albania, enigmatic, mysterious Albania, was always the untold story of the Cold War, the 1989 revolutions and the fall of the Berlin Wall. Mud Sweeter Than Honey goes a very long way indeed towards putting that right" New European After breaking ties with Yugoslavia, the USSR and then China, Enver Hoxha believed ...
Clientelistic Warfare
This book analyzes the relationship between Colombian paramilitaries and the State in 1982-2007, which has proven to be complex as the former was not a homogenous force. New empirical evidence shows that there was a set of basic mechanisms, mediated by political institutions and clientelistic Colombian polity, that established a link between them.
