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Spiritual Encounters
Spiritual Encounters is a comparative and theoretically informed look at the religious interactions between Native and colonial European cultures throughout the Americas. Religion was one of the most contentious, dramatic, and complex arenas of confrontation between Natives and Europeans during the colonial era. This volume fully explores the significance of colonial religious encounters. Case studies, organized by theme, showcase previously unexamined sources and offer interpretations that shed new light on Native-European religious encounters in the New World. One group of studies examines the extent to which Native peoples internalized Christianity and the cultural mechanisms that enabled them to do so. Other chapters assess in detail the often uneasy relationship between Christianity and coexisting indigenous religious practices involving sorcery and healing. A third set of essays looks at the broader political and economic forces underlying Native-colonial religious encounters. An introduction and epilogue by the editors provide valuable summaries of the broad patterns characterizing the religious interactions between the West and the Other in the colonial Americas.
Local Worship, Global Church
How would the history of Roman Catholic worship look if it were viewed first from the perspective of the “people in the pews” rather than through the deliberations of popes and church councils or the writings of theologians? How did the “common people” down through the ages understand what they were doing when they came together in worship—and was this understanding always the same as the “official” interpretation of the church authorities? In Local Worship, Global Church, Mark Francis explores the history of the liturgy from “the bottom up” rather than from “the top down” and comes to conclusions that complement our understanding of the history of the liturgy and its relationship to faithful Christians from the first century CE to our own time.
A Jewish Jesuit in the Eastern Mediterranean
Recounts a Jewish-born Catholic priest's effort to prove he was Catholic to anyone who doubted him, including himself.
Rackham Reports
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The Cambridge Global History of Fashion: Volume 1
Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways depending on class, gender, and race, and despite geographical distance, fashion connected populations across the globe. Fashions flowered and were reseeded, through entanglements of empire, forced and voluntary migration, evolving racial systems, burgeoning sea travel and transcontinental systems.
Manufacturing Otherness
The discovery of the New World offered European civilisation the chance to generate a process of circulation of its own cultural values – the “spiritual conquest” – that has no comparable precedents. The missionary orders played an important role during this “Westernisation of the world,” not only as key players in the spread of Christian values, but also as mediators between different worlds. Indeed, missionary practices imposed the dominating culture’s values and institutions on the vanquished peoples. At the same time, they also promoted the circulation of new knowledge and the negotiation between different cultures during the age of a global integration of space. This book ...
Holy Organ or Unholy Idol?
Holy Organ or Unholy Idol? focuses on the significance of the cult of the Sacred Heart of Jesus and its accompanying imagery in eighteenth-century New Spain. Lauren G. Kilroy-Ewbank considers paintings, prints, devotional texts, and archival sources within the Mexican context alongside issues and debates occurring in Europe to situate the New Spanish cult within local and global developments. She examines the iconography of these religious images and frames them within broader socio-political and religious discourses related to the Eucharist, the sun, the Jesuits, scientific and anatomical ideas, and mysticism. Images of the Heart helped to champion the cult’s validity as it was attacked by religious reformers.
Colonial Saints
From the cult of Saint Anne to the devotees of the Virgin of Guadalupe, from Saint Anthony who competed with Christ for popularity in Brazil, to Jesuits who mixed freely with shamans that talked with the gods, this exciting new anthology examines the conversion of the colonized. The essays examine how New World spirits transformed into Old World saints - for example, the spirit of love transfigured into the Virgin Mary - as well as the implications of the canonization of the first American saint. Colonial Saints illustrates the complex and intimate connections among confessional life writing, canonization, and the practices of the Inquisition. There was a dynamic exchange involving local agendas, the courts in Spain and France, and, of course, Rome. This bold collection clearly shows the interplay between slavery and spirituality, conversion and control, and the links between the sacred and the political.
Military Ethos and Visual Culture in Post-conquest Mexico
Bringing to bear her extensive knowledge of the cultures of Renaissance Europe and sixteenth-century Mexico, Mónica Domínguez Torres here investigates the significance of military images and symbols in post-Conquest Mexico. She shows how the 'conquest' in fact involved dynamic exchanges between cultures; and that certain interconnections between martial, social and religious elements resonated with similar intensity among Mesoamericans and Europeans, creating indeed cultural bridges between these diverse communities. Multidisciplinary in approach, this study builds on scholarship in the fields of visual, literary and cultural studies to analyse the European and Mesoamerican content of the martial imagery fostered within the indigenous settlements of central Mexico, as well as the ways in which local communities and leaders appropriated, manipulated, modified and reinterpreted foreign visual codes. Military Ethos and Visual Culture in Post-Conquest Mexico draws on post-structuralist and post-colonial approaches to analyse the complex dynamics of identity formation in colonial communities.
