Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Ephemeral Bodies
The critical history of wax is fraught with gaps and controversies. These eight essays explore wax reproductions of the body or body parts throughout history, and assess their conceptual ambiguity, material impermanence, and implications for the history of western art.
Greek and Roman Small Size Sculpture
Considerations about size and scale have always played a central role within Greek and Roman visual culture, deeply affecting sculptural production. Both Greeks and Romans, in particular, had a clear notion of “colossality” and were able to fully exploit its implications with sculpture in many different areas of social, cultural and religious life. Instead, despite their ubiquitous presence, an equal and contrary categorization for small size statues does not seem to have existed in Greek and Roman culture, leading one to wonder what were the ancient ways of conceptualizing sculptural representations in a format markedly smaller than “life-size.” Even in the context of modern scholar...
Mirrors of Memory
A significant contribution to our understanding of early twentieth century visual culture and an exploration of how photography shaped the ways in which the great archaeologist of the human mind saw and thought about the world.
Harmful Interaction Between the Living and the Dead in Greek Tragedy
Examining the manifest and invisible dead, this book considers the nature, extent and limitations of harmful interaction between the living and the dead in Greek tragedy, concentrating on the abilities of the dead, the consequences of corpse exposure and mutilation, and the use of avenging agents by the dead.
Highlights of Ephesus
Situated in the Aegean region of Turkey, Ephesus is probably one of the best-preserved ancient cities in the Mediterranean. In ancient times, both in the Greek and in the Roman periods, it was a bustling trading city and a centre of worship of Artemis, the Greek goddess of the hunt and the wilderness, but also childbirth and chastity. Later, it became a thriving Christian city with the first of the churches dedicated to Mary, the mother of Christ. To imagine what life was like in the ancient city of the Roman Empire, walk the streets of Ephesus, visit public toilets and residential houses, and then sit back in the great theatre or have a look at the splendid library. Ephesus offers all these things, and many more, to curious travellers who want to be sure that they can make the most of their visit there. This book offers a guided tour of the most important sights in Ephesus, the absolutely must-see ones. It was created with the thought of the visitors who have limited time on their hands and want to be sure that they will not miss any highlights of the famous ancient city. There are 18 chapters devoted to particular locations within Ephesus, and they are organised geographically.
The Colossus of Rhodes
The Colossus of Rhodes is both the most famous and the least well-known monument of Ancient Greece. Numbered among the Seven Wonders of the World, this bronze statue of the god Helios, thirty-four metres in height, was created by the sculptor Chares of Lindos between the years 295 and 283 BC, only to be destroyed by an earthquake in 227 BC. The legends that have spread after its collapse seem so strange and contradictory that, from an archaeological point of view, it has become a minor and almost neglected object, which specialists in Greek sculpture barely mention in their work. In The Colossus of Rhodes, the first comprehensive examination of the Colossus, Nathan Badoud mobilises a large a...
Roman Portraits in Context
The highest honour a Roman citizen could hope for was a portrait statue in the forum of his city. While the emperor and high senatorial officials were routinely awarded statues, strong competition existed among local benefactors to obtain this honour, which proclaimed and perpetuated the memory of the patron and his family for generations. There were many ways to earn a portrait statue but such local figures often had to wait until they had passed away before the public finally fulfilled their expectations. It is argued in this book that our understanding and contemplation of a Roman portrait statue is greatly enriched, when we consider its wider historical context, its original setting, the circumstances of its production and style, and its base which, in many cases, bore a text that contributed to the rhetorical power of the image.
