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This beautifully illustrated journal is both a diary and a memorial in one. Three months of diary pages help to express the ever-changing emotions of grief following a bereavement, while carefully considered sections offer space to reflect on significant moments and memories. Created by a bereaved mother to support others experiencing loss and needing a safe place to record their thoughts and emotions.
Steam, shenanigans, and swoon-worthy men await as the Kelly brothers stumble their way to true love in the hot and hilarious Love & Luck series. Volume One of this special edition collection features: Book 1: Fake It 'til You Make Out Book 2: Virtually Screwed Book 3: Crazy Little Fling Book 4: Hopeless Bromantics Warning: This collection is not appropriate for anyone who doesn't like beautiful books, anyone who doesn't like gorgeous character art, anyone who doesn't like laughing out loud, or anyone who doesn't like reading about sexy men falling in love with each other. *Multiple happily ever afters included. Special Edition collection featuring the first four Love & Luck books. Includes: Bonus scenes featuring the characters Stunning interior illustrations Special chapter headings
Blake At 43 I’m supposed to have everything figured out, and if you’d asked me six months ago I’d have said I did: head of my own tech company, beautiful fiancée, amazing future all planned out...life was perfect. Or, at least, I thought it was… So now I’m in New York after selling my company and fleeing San Jose, and for the first time in as long as I can remember I have nothing to fill my day—no meetings, no reports, no tests, no launch parties—and that’s how I manage to get hooked on Warpath 4 and somehow find myself sexting with a guy almost twenty years younger than me. Say what? Okay, here’s the thing: it didn’t start out dirty. It was all completely tame. Mild. Co...
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Bizarre tales of murder and investigation in the drumlins, valleys and towns of Monaghan in the nineteenth century, based upon a casebook just recently discovered that has never been lodged in any archive anywhere. This is NEW information and highlights such cases as: The Illigitimate Half-Sisters Of Oscar Wilde - Emily and Mary Wilde died tragically at Drumaconner House while dancing by the fire - their deaths are kept quiet so as not to shame Sir William Wilde. The Legend Of The Sleepwalking Nun - Sister Mary Keogh is discovered drowned in the Convent lake near the Crannog - to this day, local legend tells the story of her death.
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This absorbing work tells the tragic story of a Donegal girl named Norah Ryan. Righteous and intelligent Norah left her homeland after her father's death, desiring a better life across the water. Unable to get out of the cycle of poverty, Norah's fate is drastically affected when she becomes pregnant by Alec Morrison, the son of the farmer on whose land she lived and worked in awful conditions. Set in Ireland and Scotland in the early 1900s and based on actual events, 'The Rat-Pit' follows her struggles against poverty.
This book examines how a predominantly negative view of community has presented a challenge to critical analysis of community performance practice. The concept of community as a form of class-based solidarity has been hollowed out by postmodernism’s questioning of grand narratives and poststructuralism’s celebration of difference. Alongside the critique of a notion of community has been a critical re-signification of community, following the thinking of philosopher Jean-Luc Nancy who conceives of community not as common being but as being-in-common. The concept of community as being-in-common generates questions that have been taken up by feminist geographers, J.K. Gibson-Graham, in theorising a post-capitalist approach to community-based development. These questions and approaches guide the analyses in researched case studies of community performance practice. The book revises theoretical debates that have defined the field of community theatre and performance. It asks how the critical re-signification of community aligns with these debates and, at the same time, opens new modes of critical analysis of community theatre and performance practice.