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Poetry, by definition, is voice, which here includes the worlds of both sound silence in which the poem exists. Voice in poetry represents the way in which individuals articulate themselves as subjects. English Narrative Poetry: A Babel of Voices explores how poets in different periods of English literature have manipulated voice in their verse narratives. This book, devoted to voice, explores narrative poems ranging from the Renaissance to the contemporary. Starting from Shakespeare, it journeys through Pope, Wordsworth, Keats, Rossetti, Browning, H. D., Ted Hughes, Jackie Kay, and Bernardine Evaristo in the light of narrative theory. The multiplicity of voice attests to the fact that narrative poetry can present itself as a ‘representation’ of real life by ‘mimicking’ the voices of women and men, creating what, taken together, comprises a babel of voices.
Drawing on the provocative recent work of feminist theorist Luce Irigaray, Irigaray, Incarnation and Contemporary Women's Fiction illuminates the vital and subversive role of literature in rewriting notions of the sacred. Abigail Rine demonstrates through careful readings how a range of contemporary women writers - from Margaret Atwood to Michèle Roberts and Alice Walker – think beyond traditional religious discourse and masculine models of subjectivity towards a new model of the sacred: one that seeks to reconcile the schism between the human and the divine, between the body and the word. Along the way, the book argues that literature is the ideal space for rethinking religion, precisely because it is a realm that cultivates imagination, mystery and incarnation.
Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- List of Figures -- List of Plates -- Abbreviations -- General Preface to the Series -- Preface -- Introduction -- 1 Reading Ancient Texts: methodological approaches to interpretation and appropriation -- Part I: Notions of Collecting in the Ancient World -- 2 Collecting Material Testimonies: antiquarianism and notions of the past -- 3 'Gifts-to-Men and Gifts-to-Gods': defining (collecting) values -- 4 The Concept of the Individual as a Cultural Category: its implications in classical collecting -- 5 Collecting in Time and Space in the Classical World -- Part II: Classical Collectors and Collections -- 6 Visiting Pliny's Collection: reading a 'museum' -- 7 Poet's Gifts, Collector's Words: the epigrams of Martial -- 8 'Luxury is Not for Everybody': collecting as a means of sharing cultural and social identity -- 9 'Furnishing' the Collector's World: Cicero's Epistulae and the Verrine Orations -- Conclusions -- Bibliography -- Index
A theory formulated by Alice Walker, womanism focuses on the unification of men and women with Nature and Earth. This book explores womanism with regards to its specific concerns with African American women’s rights, identities, and self-actualisation, and points towards its more overarching concerns with human relations and sexual freedom, as expressed in each of Walker’s seven novels. Although Walker introduced the term “womanism” in 1983, this book traces the development of the concept across her canon of fictional works. By analysing the novels written in the 1970s, this book establishes how the term came to be coined, and demonstrates how womanism went on to be further developed and complexly wrought throughout Walker’s literary career.
This book critically analyses Eminem’s studio album releases from his first commercial album release The Slim Shady LP in 1999, to 2020’s Music To Be Murdered By, through the lens of storytelling, truth and rhetoric, narrative structure, rhyme scheme and type, perspective, and celebrity culture. In terms of lyrical content, no area has been off-limits to Eminem, and he has written about domestic violence, murder, rape, child abuse, incest, drug addiction, and torture during his career. But whilst he will always be associated with these dark subjects, Mathers has also explored fatherhood, bereavement, mental illness, poverty, friendship, and love within his lyrics, and the juxtaposition b...
Offers a comprehensive overview of the most important authors, movements, genres, and historical turning points in Latino literature. More than 60 million Latinos currently live in the United States. Yet contributions from writers who trace their heritage to the Caribbean, Central and South America, and Mexico have and continue to be overlooked by critics and general audiences alike. Latino Literature: An Encyclopedia for Students gathers the best from these authors and presents them to readers in an informed and accessible way. Intended to be a useful resource for students, this volume introduces the key figures and genres central to Latino literature. Entries are written by prominent and e...
U.S. Latino Literature is defined as Latino literature within the United States that embraces the heterogeneous inter-groupings of Latinos. For too long U.S. Latino literature has not been thought of as an integral part of the overall shared American literary landscape, but that is slowly changing. This dictionary aims to rectify some of those misconceptions by proving that Latinos do fundamentally express American issues, concerns and perspectives with a flair in linguistic cadences, familial themes, distinct world views, and cross-cultural voices. The Historical Dictionary of U.S. Latino Literature contains a chronology, an introduction, and an extensive bibliography. The dictionary section has cross-referenced entries on U.S. Latino/a authors, and terms relevant to the nature of U.S. Latino literature in order to illustrate and corroborate its foundational bearings within the overall American literary experience. This book is an excellent access point for students, researchers, and anyone wanting to know more about this subject.