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Levinas writes that Rosenzweig is too present in his work to be cited. This cryptic suggestion is unfolded into an in-depth confrontation. Both philosophers implement the same speculative gesture. Rosenzweig writes in post-Hegelian times; Levinas's thinking is enriched by phenomenology and marked by the Holocaust. Their critical exploration of the relationship to the infinite offers radically new perspectives on the language, the time and the other. The confrontation raises serious questions. How is a concept of alterity possible without accepting an identity? What are the concealed presuppositions? The questions lead to a critical analysis that cautiously explores the boundaries of dialogical thinking. But it is also the expression of the esteem held for the strong power of inspiration. As such, this book is both a critique and a tribute to Rosenzweig and Levinas. The book contains an exhaustive bibliography of the comparative studies. The manuscript was gold awarded by the Teylers Fellowship of Haarlem (the Netherlands).
The commonly held view that Wittgensteinian philosophy of religion is fideistic loses plausibility when contrasted with recent scholarship on Wittgenstein's corpus and biography. This book reevaluates the place of Wittgenstein in the philosophy of religion and charts a path forward for the subfield by advancing three themes.
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It is often thought that the French Reformer John Calvin (1509-1564) had a negative attitude towards the arts, particularly visual art. However, in Calvinism and the Arts: A Re-assessment, Dr. Joby argues that in Calvin's writings and in the development of the Reformed tradition more generally, it is possible to discern a more positive attitude than has hitherto been recognized. He makes a start by examining exactly what type of visual art Calvin rejected and what type he affirmed. He goes on to consider how Calvin's epistemology and eschatology can be used to argue for the placing of certain types of art, notably histories and landscape paintings, within Reformed churches and then devotes s...
De Kampioen is the magazine of The Royal Dutch Touring Club ANWB in The Netherlands. It's published 10 times a year with a circulation of approximately 3,5 million copies.
De Kampioen is the magazine of The Royal Dutch Touring Club ANWB in The Netherlands. It's published 10 times a year with a circulation of approximately 3,5 million copies.
De Kampioen is the magazine of The Royal Dutch Touring Club ANWB in The Netherlands. It's published 10 times a year with a circulation of approximately 3,5 million copies.