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Burning Down the House explores the political, economic and cultural landscape of 21st-century Latin America through comics. It examines works from Argentina, Brazil, Bolivia, Chile, Uruguay, Perú, Colombia, México and Spain, and the resurgence of comics in recent decades spurred by the ubiquity of the Internet and reminiscent of the complex political experiences and realities of the region. The volume analyses experimentations in themes and formats and how Latin American comics have become deeply plural in its inspirations, subjects, drawing styles and political concerns while also underlining the hybrid and diverse cultures they represent. It examines the representative and historical im...
How twenty-first-century Latin American comics transgress social, political, and cultural frontiers. Given comics’ ability to cross borders, Latin American creators have used the form to transgress the political, social, spatial, and cultural borders that shape the region. A groundbreaking and comprehensive study of twenty-first-century Latin American comics, Latin American Comics in the Twenty-First Century documents how these works move beyond national boundaries and explores new aspects of the form, its subjects, and its creators. Latin American comics production is arguably more interconnected and more networked across national borders than ever before. Analyzing works from Argentina, ...
Comics Beyond the Page in Latin America is a cutting-edge study of the expanding worlds of Latin American comics. Despite lack of funding and institutional support, not since the mid-twentieth century have comics in the region been so dynamic, so diverse and so engaged with pressing social and cultural issues. Comics are being used as essential tools in debates about, for example, digital cultures, gender identities and political disenfranchisement.
Comics and human mobility have a long history of connections. This volume explores these entanglements with a focus on both how comics represent migration and what applied uses comics have in relation to migration. The volume examines both individual works of comic art and examples of practical applications of comics from across the world. Comics are well-suited to create understanding, highlight truthful information, and engender empathy in their audiences, but are also an art form that is preconditioned or even limited by its representational and practical conventions. Through analyses of various practices and representations, this book questions the uncritical belief in the capacity of co...
This book explores the historical and cultural significance of comics in languages other than English, examining the geographic and linguistic spheres which these comics inhabit and their contributions to comic studies and academia. The volume brings together texts across a wide range of genres, styles, and geographic locations, including the Netherlands, Colombia, Greece, Mexico, Poland, Finland, Portugal, Ireland, and the Czech Republic, among others. These works have remained out of reach for speakers of languages other than the original and do not receive the scholarly attention they deserve due to their lack of English translations. This book highlights the richness and diversity these works add to the corpus of comic art and comic studies that Anglophone comics scholars can access to broaden the collective perspective of the field and forge links across regions, genres, and comic traditions. Part of the Global Perspectives in Comics Studies series, this volume spans continents and languages. It will be of interest to researchers and students of comics studies, literature, cultural studies, popular culture, art and design, illustration, history, film studies, and sociology.
Latinx Comics Studies: Critical and Creative Crossings offers an intersectional and interdisciplinary approach to analyzing Latinx studies and comics studies. The book draws together groundbreaking critical essays, practical pedagogical reflections, and original and republished short comics. The works in this collection discuss the construction of national identity and memory, undocumented narratives, Indigenous and Afro-Latinx experiences, multiracial and multilingual identities, transnational and diasporic connections, natural disasters and unnatural colonial violence, feminist and queer interventions, Latinx futurities, and more. Together, the critical and creative works in this collection begin to map out the emerging and evolving field of Latinx comics studies and to envision what might be possible in and through Latinx comics. This collection moves beyond simply cataloguing and celebrating Latinx representation within comics. It examines how comics by, for, and about Latinx peoples creatively and conceptually experiment with the very boundaries of “Latinx” and portray the diverse lived experiences therein.
Media in general and narrative media in particular have the potential to represent not only a variety of both possible and actual worlds but also the perception and consciousness of characters in these worlds. Hence, media can be understood as "qualia machines," as technologies that allow for the production of subjective experiences within the affordances and limitations posed by the conventions of their specific mediality. This edited collection examines the transmedial as well as the medium-specific strategies employed by the verbal representations characteristic for literary texts, the verbal-pictorial representations characteristic for comics, the audiovisual representations characteristic for films, and the interactive representations characteristic for video games. Combining theoretical perspectives from analytic philosophy, cognitive theory, and narratology with approaches from phenomenology, psychosemiotics, and social semiotics, the contributions collected in this volume provide a state-of-the-art map of current research on a wide variety of ways in which subjectivity can be represented across conventionally distinct media.
Recent films are increasingly using themes and conventions of science fiction such as dystopian societies, catastrophic environmental disasters, apocalyptic scenarios, aliens, monsters, time travel, teleportation, and supernatural abilities to address cosmopolitan concerns such as human rights, climate change, economic precarity, and mobility. This book identifies and analyses the new transnational turn towards cosmopolitanism in science fiction cinema since the beginning of the twenty-first century. The book considers a wide selection of examples, including case studies of films such as Elysium, In Time, 2012, Andrew Niccol’s The Host, Codependent Lesbian Space Alien Seeks Same, and Cloud...
This volume explores comics as examples of moral outrage in the face of a reality in which precariousness has become an inherent part of young lives. Taking a thematic approach, the chapters devote attention to the expression and representation of precarious subjectivities, as well as to the economic and professional precarity that characterizes comics creation and production. An international team of authors, young and senior systematically examines the representation of precarious youth in graphic fiction and autobiographic comics, superheroes and precarity, market issues and spaces of activism and vulnerability. With this structure, the book offers a global perspective and comprehensive c...