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From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.
"This book addresses the lively artistic dialogue that took place between Russia and the West - in particular with the United States, Britain, and France - from the 1860s to the Khrushchev Thaw. Offering new readings of cross-cultural exchange, it illuminates Russia's compelling, and sometimes combative, relation with western art in this period of profound cultural transformation." "This illustrated volume will appeal to students, scholars, and general readers seeking to understand the fuller context of Russian artistic culture during a remarkable century of social and political change."--BOOK JACKET.
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of ess...
Priscilla Hauser, the queen of decorative painting, and Boris Grafov, a Russian-born painter whose native village is world-renowned for its art, have produced a luminous follow-up to their Russian Folk Art Painting. This radiant new volume features bright arrangements of flowers, fruits, and leaves, bordered in gold or silver filigree, and set off by a black lacquered surface. It’s a style with a timeless appeal, and Hauser and Grafov provide comprehensive instructions for creating ten beautiful patterns on furniture and other objects. All the necessary skills are explained, with plenty of advice on preparing the surface, wielding the brush, and mixing colors. Start by painting the intricate borders of wreath and linked motifs, then, make the designs more luscious with every colorful layer.
This book provides the first comprehensive account of Russian and Soviet painting. From the early icons down to the present day, the author traces its fascinating and often turbulent history against a background of major historical events.
Offers a survey of the painting and architecture of Russia
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The author discusses how Russian art has evolved from icon painting through to Socialist Realism. He examines the work of approximately 50 contemporary artists, all of whom are living and working in the Soviet Union and conveys a general view of life in the USSR.