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Radical Women
Published to accompany the exhibition Radical Women: Jessica Dismorr and her Contemporaries at Pallant House Gallery, Chichester, from 2 Novemberr 2019 to 23 February 202.
Ben Nicholson
An intimate look at Ben Nicholson's everyday inspirations
Modern British Art at Pallant House Gallery
This beautifully designed book explores key themes in twentieth-century British art history with reproductions of a staggering display of works by: Frank Auerbach, Ben Nicolson, Peter Blake, David Blomberg, John Piper, Patrick Caulfield, Ceri Richards, L
Eduardo Paolozzi - Collaging Culture
A major retrospective of the work of Eduardo Paolozzi (1924-2005), one of the most inventive and prolific of the British artists to come to prominence after the Second World War. Featuring around 150 works in a variety of media, the exhibition will explore the extraordinary versatility of Paolozzi's approach to making art and the central importance of collage as a working process within his career, not only in the traditional sense of paper collage, but also in terms of sculptural assemblage, printmaking and filmmaking
The British Library
The British Library at St Pancras opened to the public in April 1998 and no other project in Britain since the building of St Paul s Cathedral is comparable in time-scale or the magnitude of controversy surrounding it. Professor Sir Colin St John Wilson
Hockney to Himid
A celebration of the extraordinary upsurge of printmaking in Britain from the 1960s to now
Edward Burra
Overzicht avan het werk van de Engelse kunstenaar.
John Minton
None
We English
Introduction by Stephen Daniels.
Victor Pasmore
Focussing on the period from 1930 to 1960, this outstanding publication considers the transition of Victor Pasmore (1908-1998) from one of Britain's leading figurative painters to one of its foremost exponents of abstract art. From Pasmore's own writings and those of his contemporaries, a fascinating picture emerges of the years in the late 1940s and early 1950s when lyrical landscapes - incorporating increasingly suggestive formal structures - were suddenly superseded by abstract paintings and collages and then by constructed reliefs. Seeking to explore these decades and later years, the book's featured works include the artist's earliest canvases through to his engagement with the controversial Apollo Pavilion in Peterlee, County Durham. Reproducing works from both public and private collections, this unique publication will stoke interest in an important period in British art history and will shed new light on a crucial stage in Pasmore's long career.
