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Pre-Raphaelite Women Artists
Barbara Leigh Smith Bodichon, Anna Mary Howitt, Rosa Brett, Anna Eliza Blunden, Jane Benham Hay, Joanna Mary Boyce, Elizabeth Eleanor Siddal, Rebecca Solomon, Emma Sandys, Julia Margaret Cameron, Lucy Madox Brown, Catherine Madox Brown, Marie Cassavetti Zambaco, Francea Alexander, Evelyn De Morgan, Kate Elizabeth Bunce, Marianne Preindelsberger Stokes, Christina Jane Herringham, Eleanor Fortescue Brickdale.
A Pre-Raphaelite Journey
Eleanor Fortescue-Brickdale (1872-1945) was an accomplished painter, illustrator and designer whose artistic life bridged the Victorian and modern worlds. Her work was much influenced by the Pre-Raphaelite artists whose love of detail, colour, symbolism, storytelling and nature was so hugely influential on mid Victorian Britain. Eleanor's own work carried the Pre-Raphaelite style forward into the 20th century. Indeed she became known as 'the last Pre-Raphaelite'. Despite her huge popularity in her own time, Eleanor's work has been neglected since her death in 1945. This book is the first monograph on the artist. It is the result of extensive research by Pamela Gerrish Nunn, whose work on Pre-Raphaelite women artists has done so much to re-assess the art history of the Victorian period. Here, the author takes us on a journey through Eleanor's training, career and achievements to re-establish her as an important and fascinating figure in the history of Pre-Raphaelite art. Published by Liverpool University Press with National Museums Liverpool
Pre-Raphaelite Sisters
Overlooked stories of the female painters and subjects of Pre-Raphaelite art When the Pre-Raphaelite Brotherhood exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the "Young Painters of England," this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colors and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes pai...
The Pre-Raphaelite Circle
The Pre-Raphaelite Brotherhood was a group of nineteenth-century artists who challenged contemporary art with their commitment to realism and 'truth to nature'. Renowned as much for their social relationships as for their artistic ideals, the lives of the Pre-Raphaelites - Holman Hunt, Rossetti, Millais, Burne-Jones and Morris - illustrate the full range of human experience, from personal tragedy to triumph. Jan Marsh explores both the individual personalities and the artistic force which bound the circle together.
Laura Knight
A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century. Laura Knight (1877–1970) was one of the most famous and popular English artists of the twentieth century. She was the first woman to have a solo exhibition at the Royal Academy of Arts, in 1965. In the following decades her realist style of painting fell out of fashion and her work become largely overlooked. A new generation has rediscovered her work, finding a contemporary resonance in her depictions of women at work, of people from marginalized communities and her contributions as a war artist. This beautifully illustrated book, which accompanies a major exhibition at MK Ga...
From Victorian to Modern
The book examines the impact of modernism on the work of three women artists -- Laura Knight (b.1877), Vanessa Bell (b.1879) and Gwen John (b.1876) -- whose training and early artistic careers were rooted in the Victorian tradition. The book examines and compares their development, their work and the positions they took in the crucial years of their careers between 1890 and 1920. The book illuminates women's participation in the important question of how British art negotiated the challenges posed by post-impressionism, abstraction, significant form and the demise of narrative and anecdote at the beginning of the twentieth century.
Women Artists and the Decorative Arts 1880-1935
This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.
