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Man and Animals
Through ancient artifacts and modern science, this richly illustrated handbook traces the development of four domesticated animals—the horse, dog, cow, and cat—important to the human community as pets, major food producers, and powerful work animals.
Making Representations
Looks at how cultures have been exhibited in western museums in the past and how practices are changing which challenge the traditional role that museums have played.
The Gift of Spiderwoman
"In preparing this publication, the intention was that it serve not only as an accompaniment to the symposium 'Southwestern Textiles: The Navajo Tradition' held at the University Museum, University of Pennsylvania, but that it define the scope of the Museum's holdings of Southwestern textiles, which remain relatively unknown to the public. Information regarding the size, range, and historical background of the collection should prove to be useful to scholars, weavers, and collectors. This collection comprises textiles woven by Navajo Indians, Pueblo Indians from both New Mexico and northeastern Arizona, and Spanish colonists who settled in the Rio Grande Valley of New Mexico. Also included are Saltillo sarapes produced in the general region of the town of Saltillo in northern Mexico."--Introduction.
The Gift of Birds
Presenting 10 essays by experts in the fields of anthropology, ethnography, and ornithology on the native peoples of South America and their use of birds, this volume offers a fascinating view into the lives and customs of some of the indigenous peoples living in the rainforest and coastal areas of Brazil and Peru. This book includes color photographs of South American natives in festival and ritual celebrations and everyday activities, along with spectacular objects of featherwork, textiles, and pottery. Contributors: Ruben E. Reina, Kenneth M. Kensinger, Kay L. Candler, Virginia Greene, Elizabeth Netto Calil Zarur, Catherine V. Howard, Patricia J. Lyon, Jon F. Pressman, Peter T. Turst, and Mark Robbins. University Museum Monograph, 75
The Raven's Tail
To produce this book, Cheryl Samuel travelled to Leningrad, Copenhagen, and London to examine the six robes in Europe. She also studied the robes housed in museums in Canada and the United States. In 1985, she reconstructed Chief Kotlean's robe, using information she had gathered from her study of the actual robes and Tikhanov's paintings. In the process, she resurrected an old weaving style no longer used by the Native people on the northern coast. Through her extensive and careful research, Cheryl Samuel makes an important contribution to the knowledge of early Indian weaving.
Spirit Keepers of the North
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Through Time, Across Continents
Established in 1887, the University of Pennsylvania Museum of Archaeology and Anthropology is one of the oldest institutions of its kind in the nation. With quotations from letters, journals, and field notes, and numerous archival photographs, this handsome, oversized volume is not only a history of an influential institution but an important contribution to the history of archaeological and anthropological research.
Visions of a Huichol Shaman
The brilliant visionary yarn paintings of the shaman-artist Jose Benitez Sanchez emerge transformed into two-dimensional form from fleeting, sublime visionary experiences triggered by the complex chemistry of the divine peyote cactus. Benitez's visions are of the Huichol universe in Mexico's rugged Sierra Madre Occidental, as that world came into being in the First Times of creation and transformation and in the ongoing magic of a natural environment that is alive and without firm boundaries between the here and now and the ancestral past. Modern yarn paintings—more than 30 in the University of Pennsylvania Museum's collection are illustrated here—have their roots in the sacred art of communication with numberless male and female ancestors and native deities, related in the two remarkable Huichol origin myths also presented here to shed some light on Native American culture and provide some understanding of the religious experience that informs it.
Andean Archaeology II
The origins and development of civilization are vital components to the understanding of the cultural processes that create human societies. Comparing and contrasting the evolutionary sequences from different civilizations is one approach to discovering their unique development. One area for comparison is in the Central Andes where several societies remained in isolation without a written language. As a direct result, the only resource to understand these societies is their material artifacts. In this second volume, the focus is on the art and landscape remains and what they uncover about societies of the Central Andes region. The ancient art and landscape, revealing the range and richness of the societies of the area significantly shaped the development of Andean archaeology. This work includes discussions on: - pottery and textiles; - iconography and symbols; - ideology; - geoglyphs and rock art. This volume will be of interest to Andean archaeologists, cultural and historical anthropologists, material archaeologists and Latin American historians.
The Headpots of Northeast Arkansas and Southern Pemiscot County, Missouri
In 1981, James F. Cherry embarked on what evolved into a passionate, personal quest to identify and document all the known headpots of Mississippian Indian culture from northeast Arkansas and the bootheel region of southeast Missouri. Produced by two groups the Spanish called the Casqui and Pacaha and dating circa AD 1400–1700, headpots occur, with few exceptions, only in a small region of Arkansas and Missouri. Relatively little is known about these headpots: did they portray kinsmen or enemies, the living or the dead or were they used in ceremonies, in everyday life, or exclusively for the sepulcher? Cherry’s decades of research have culminated in the lavishly illustrated The Headpots of Northeast Arkansas and Southern Pemiscot County, Missouri, a fascinating, comprehensive catalog of 138 identified classical style headpots and an invaluable resource for understanding the meaning of these remarkable ceramic vessels.
