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Hallucinogens and Culture
"This book is an introduction to some of the hallucinogenic drugs in their cultural and historical context, stressing their important role in religion, ritual, magic and curing".--BOOKJACKET.
Flesh of the Gods
None
Visions of a Huichol Shaman
The brilliant visionary yarn paintings of the shaman-artist Jose Benitez Sanchez emerge transformed into two-dimensional form from fleeting, sublime visionary experiences triggered by the complex chemistry of the divine peyote cactus. Benitez's visions are of the Huichol universe in Mexico's rugged Sierra Madre Occidental, as that world came into being in the First Times of creation and transformation and in the ongoing magic of a natural environment that is alive and without firm boundaries between the here and now and the ancestral past. Modern yarn paintings—more than 30 in the University of Pennsylvania Museum's collection are illustrated here—have their roots in the sacred art of communication with numberless male and female ancestors and native deities, related in the two remarkable Huichol origin myths also presented here to shed some light on Native American culture and provide some understanding of the religious experience that informs it.
People of the Peyote
The first substantial study of a Mexican Indian society that more than any other has preserved much of its ancient way of life and religion.
The Olmec & Their Neighbors
Twenty-one papers on the Olmec were written for this volume in tribute to Matthew W. Stirling, "pioneer archaeologist, ethnologist, and the discoverer of the Olmec civilization."
North American Indian Art
Encompasses all major tribal areas: the Southwest, California, the Pacific Northwest, the Eskimos of Canada and Alaska, the Plains and the Eastern Woodlands. Numerous colour photographs.
Soma
Shrouded in mystery for centuries, Soma is simultaneously a sacred hallucinogenic plant, a personified God, and a cosmological principle. With the renewed interest in the ritual use of psychoactive substances, shamanism, and alternative modalities of healing, Soma provides an important key to understanding the earliest systemized methods of medicine, psychology, magic, rejuvenation, longevity, and alchemy.
Painters in Prehistory
The story of ancient canyon dwellers along the Lower Pecos and their culture
North American Burl Treen: Colonial & Native American
NORTH AMERICAN BURL TREEN:COLONIAL & NATIVE AMERICANThe practice of utilizing wood for domestic purposes is as old as civilization itself; however, for Europeans the use of burl was not common practice until they became colonists of North America in the 17th century. They learned from the Native Americans, for whom it was a centuries old tradition that treen made from burl (a knotty outgrowth on a tree), with its interlocking grain and strong matter was more durable than plain treen. Unlike in Europe, burls in North America were abundant, cheap, and a practical resource for everyday wares.Today, early burl treen is part of nearly every major Americana and Native Americana collection, yet the...
Mojave Pottery, Mojave People
Despite the centrality of ceramics to Mojave culture, Mojave pottery is virtually unknown today. Museums have mostly small, unrepresentative, and largely undocumented collections, and the works have received little attention from scholars and collectors.This comprehensive volume brings to light the wondrously inventive clay people, mythological creatures, and effigy vessels of the Mojave people, recording this Southwest Indian ceramic art in more than 50 full-color plates, 25 color and black-and-white illustrations, and a complete catalog of the Dillingham Collection of Mojave Ceramics, one of the largest and most complete Mojave assemblages in the world, at the Indian Arts Research Center of the School of American Research. Jill Leslie Furst takes an ethnohistorical approach here, drawing on written literature about the tribe that ranges from seventeenth-century Spanish documents to ethnographic accounts from the 1970s. The stories of the Mojaves-along with descriptions of family life, gender roles, subsistence activities, clothing and personal adornment, shamanism, and the afterlife-form the context for Furst's exploration of the Mojave ceramic tradition.
