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Think Tank Aesthetics
How the approaches and methods of think tanks—including systems theory, operational research, and cybernetics—paved the way for a peculiar genre of midcentury modernism. In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanks—including systems theory, operations research, and cybernetics—paved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Lee casts these shadowy institutions as sites of radical creativity and interdisciplinary practice in the service of defense strategy. Describing the distinctive aesthetics ...
Pamela Anderson Lee
A biography of the "Baywatch" star whose television and movie career and tumultuous lifestyle have made her the focus of public attention.
PRIVATE HIST & CONFESSION OF P
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Forgetting the Art World
The work of art's mattering and materialization in a globalized world, with close readings of works by Takahashi Murakami, Andreas Gursky, Thomas Hirschhorn, and others. It may be time to forget the art world—or at least to recognize that a certain historical notion of the art world is in eclipse. Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant controversies. Contemporary art has responded to globalization with images of movement and migration, borders and multitudes, but Lee looks beyond iconography to view globalizati...
Object to Be Destroyed
In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs. Although highly regarded during his short life—and honored by artists and architects today—the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture...
Private History And Confession Of Pamela Lee
Private History And Confession Of Pamela Lee: Who Was Convicted At Pittsburgh, Pa., December 19Th, 1851, For The Wilful Murder Of Her Husband has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Chronophobia
An examination of the pervasive anxiety about and fixation with time seen in 1960s art. In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology. Lee discu...
Lee
Lee Marvin was one of the movies' most memorable tough guys. When he died, cinema was diminished, for there was no one to take his place. War had shown him man's capacity for cruelty and violence, and so enabled him to play evil characters in such a way that the audience knew that they too could be capable of such deeds.This book provides an intimate glimpse into the life of Lee Marvin from the woman who knew him best. The book celebrates their life together - not only the films but also the fishing exploits - and dramatizes the details of the palimony suit brought against Lee by an ex-lover, a case that made legal history. It also contains Lee Marvin's journals from the batttlefields of World War II, as well as an account of the errors and accidents that led to his premature death. Written with affection and respect, Pamela Marvin's biography paints a more rounded portrait of Lee Marvin than we have had before.
New Games
"Art History After the Sixties examines the 1960s and 1970s as a watershed era in our current understanding of art and its historiography. Pamela Lee asks how, why, and at what cost art critics of that generation shifted their attention away from aesthetics to focus pimarily on the social and political nature of art, most notably in the writings appearing in the influential journal October. She also looks closesly at the major artists of that era from Robert Smithson, most well known for his provocative earthwork Spiral Jetty, to Andy Warhol. Art History After the Sixties is the fifth volume in "Theories of Modernism and Postmodernism in the Visual Arts", James Elkins's series of short books on the theories of modernism written by leading art historians on twentieth-century art and art criticism. The book will feature a critical introduction by a fellow art historian placing the book in conversation with the previous books in the series."--
Private History and Confession of Pamela Lee
Excerpt from Private History and Confession of Pamela Lee: Who Was Convicted at Pittsburgh, Pa;, December 19th, 1851, for the Wilful Murder of Her Husband, and Sentenced to Be Hanged on the 30th Day of January, A. D. 1852 As time rolls on, and with it brings before the world those momentous and awful circumstances which the reader will find to his astonishment in the following pages of this truly singular production, which contains a full, explicit, and satisfactory account of this mysterious and doomed woman, whose inhuman murders cry to heaven for vengeance. No language is adequate to describe, nor mind to conceive, the enormity of the offences perpetrated - perpetrated, too, in the very m...
