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The Cambridge Companion to Medieval English Theatre
The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.
York Mystery Plays
This volume offers 22 of the central pageants which make up York's famous Corpus Christi cycle. The York cycle is the oldest and best-known of the English mystery cycles, and its depth and scope are reflected in the selection printed here. The shape of the cycle was governed by subject matter of enduring spiritual significance, both to its contemporary audience and in later literary and artistic tradition, and the selection reflects these concerns. Included are plays on the Creation, the Fall of Man, the Incarnation, Passion, and Resurrection of Christ, and the Last Judgement. The Passion sequence has been expanded by six of the eight plays generally attributed to the great poetic dramatist ...
The Coventry Corpus Christi Plays
A new edition of the Coventry plays, comprising the Shearmen and Taylors' and Weavers' plays, which were staged by the town guilds at Corpus Christi.
This Could Be Important: My Life and Times with the Artificial Intelligentsia
In the autumn of 1960, twenty-year-old humanities student Pamela McCorduck encountered both the fringe science of early artificial intelligence, and C. P. Snow's Two Cultures lecture on the chasm between the sciences and the humanities. Each encounter shaped her life. Decades later her lifelong intuition was realized: AI and the humanities are profoundly connected. During that time, she wrote the first modern history of artificial intelligence, Machines Who Think, and spent much time pulling on the sleeves of public intellectuals, trying in futility to suggest that artificial intelligence could be important. Memoir, social history, group biography of the founding fathers of AI, This Could Be Important follows the personal story of one AI spectator, from her early enthusiasms to her mature, more nuanced observations of the field.
The Routledge Research Companion to Early Drama and Performance
The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Research Companion to Early Drama and Performance reconsiders early "drama" as a mixed mode entertainment best studied not only alongside non-dramatic texts, but also other modes of performance. From performance before the playhouse to the afterlife of medieval drama in the contemporary avant-garde, this stunning collection of essays is divided into four sections: Northern European Playing before the Playhouse; Modes of Production and Reception; Reviewing the Anglophone Tradition; The Long Middle Ages Offering a much needed reassessment of what is generally understood as "English medieval drama", The Routledge Research Companion to Early Drama and Performance provides an invaluable resource for both students and scholars of medieval studies.
Medieval Literature 1300-1500
Medieval literature can be daunting. This critical guide is designed to help readers to relax in the company of diverting and entertaining voices from that 'other country' that is the past.Medieval Literature 1300-1500 offers close readings of Middle English texts placed within the culture with which they interact. Famous works, like The Canterbury Tales, are discussed alongside lesser-known poems, prose, and plays, in five thematically-organised chapters, accompanied by helpful critical apparatus. Reflecting the proliferation of user-friendly editions, many available on-line, this book extends the range of Middle English writing for which there is accessible up-to-date critical support, enabling the student, the general reader, the course designer, and the aspirant specialist, to read widely and with enjoyment in the medieval period.
Televenge
Andie Oliver is a faithful woman-to God, to her handsome husband Joe, and to televangelist Reverend Calvin Artury, a Godfather in a Mafia of holy men. Raised in the 1970's to be subservient and submissive in the tradition of the Bible-belt South, she becomes a prisoner of that tradition. As a reluctant member of Artury's evangelical megachurch, the House of Praise in Winston-Salem, North Carolina, Andie's dream of children, home, and marriage falls apart when Joe is hired by the ministry team. Joe had been a gentle lover, a kind man, and a hard-working and faithful husband. Only lately had Andie felt him turn his attention more to church than her. The charismatic Reverend conducts faith-heal...
Medieval Affect, Feeling, and Emotion
Provides a new, intersectional investigation of affects, feelings, and emotions in late Middle English literature.
Themes in Drama: Volume 12, Drama and Philosophy
This collection surveys madness in drama. It includes articles on 'The Duchess of Malfi'; virginity and hysteria in 'The Changeling'; the confined spectacle of madness in Beys's 'The Illustrious Madmen'; The male gaze in 'Woyzeck' - representing Marie and madness; and other drama examples.
The Oxford Handbook of Tudor Drama
The Oxford Handbook to Tudor Drama is the authoritative secondary text on Tudor drama. It both integrates recent important research across different disciplines and periods and sets a new agenda for the future study of Tudor drama, questioning a number of the central assumptions of previous studies. Balancing the interests and concerns of scholars in theatre history, drama, and literary studies, its scope reflects the broad reach of Tudor drama as a subject, inviting readers to see the Tudor century as a whole, rather than made up of artificial and misleading divisions between 'medieval' and 'renaissance', religious and secular, pre- and post-Shakespeare. The contributors, both the established leaders in their fields and the brightest young scholars, attend to the contexts, intellectual, theatrical and historical within which drama was written, produced and staged in this period, and ask us to consider afresh this most vital and complex of periods in theatre history. The book is divided into four sections: Religious Drama; Interludes and Comedies, Entertainments, Masques, and Royal Entries; and Histories and political dramas.
