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Lee
Lee Marvin was one of the movies' most memorable tough guys. When he died, cinema was diminished, for there was no one to take his place. War had shown him man's capacity for cruelty and violence, and so enabled him to play evil characters in such a way that the audience knew that they too could be capable of such deeds.This book provides an intimate glimpse into the life of Lee Marvin from the woman who knew him best. The book celebrates their life together - not only the films but also the fishing exploits - and dramatizes the details of the palimony suit brought against Lee by an ex-lover, a case that made legal history. It also contains Lee Marvin's journals from the batttlefields of World War II, as well as an account of the errors and accidents that led to his premature death. Written with affection and respect, Pamela Marvin's biography paints a more rounded portrait of Lee Marvin than we have had before.
Lee
My name is Lee Jacks and I’ve lived a life that few could imagine. When you grow up as the son of a crack whore with little more than the clothes on your back most days being accepted by your peers is the last thing you expect. I was always an outcast which was fine by me. It’s what kept my brother and me alive. Survival is something that isn’t taught in public schools, but it damn well should be. Especially the one that I attended for a while. But I’m no longer a gutter rat to be kicked aside like yesterday’s trash. I’m a sought-after member of the Asheville, North Carolina elite and invited to parties given by the mayor, governor and the upper crust of society. If there’s one...
Lee Marvin
The first full-length, authoritative, and detailed story of the iconic actor's life to go beyond the Hollywood scandal-sheet reporting of earlier books, this account offers an appreciation for the man and his acting career and the classic films he starred in, painting a portrait of an individual who took great risks in his acting and career. Although Lee Marvin is best known for his icy tough guy roles—such as his chilling titular villain in The ManWho Shot Liberty Valance or the paternal yet brutally realistic platoon leader in The Big Red One—very little is known of his personal life; his family background; his experiences in WWII; his relationship with his father, family, friends, wives; and his ongoing battles with alcoholism, rage, and depression, occasioned by his postwar PTSD. Now, after years of researching and compiling interviews with family members, friends, and colleagues; rare photographs; and illustrative material, Hollywood writer Dwayne Epstein provides a full understanding and appreciation of this acting titan's place in the Hollywood pantheon in spite of his very real and human struggles.
Not Just Roommates
The late twentieth century has seen a fantastic expansion of personal, sexual, and domestic liberties in the United States. In Not Just Roommates, Elizabeth H. Pleck explores the rise of cohabitation, and the changing social norms that have allowed cohabitation to become the chosen lifestyle of more than fifteen million Americans. Despite this growing social acceptance, Pleck contends that when it comes to the law, cohabitors have been, and continue to be, treated as second-class citizens, subjected to discriminatory laws, limited privacy, a lack of political representation, and little hope for change. Because cohabitation is not a sexual identity, Pleck argues, cohabitors face the legal discrimination of a population with no group identity, no civil rights movement, no legal defense organizations, and, often, no consciousness of being discriminated against. Through in-depth research in written sources and interviews, Pleck shines a light on the emergence of cohabitation in American culture, its complex history, and its unpleasant realities in the present day.
You've Got a Good Friend in Me
Youve Got a Good Friend in Me is a musical, comedy, action, epic, romantic, and friendship adventure about this good, beautiful Puerto Rican-European witch from New York City named Pamela Denise Palmieri, who is an actress, singer, and all-around superheroine who wants everybody to be themselves and not change for these haters, and she stops this evil Mexican-American witch named Tabitha Shelby Arevalo, who wants people to change their ways in a very bad way or they will all be vanquished because she doesnt care about anybody but herself at all! But Pamela knows many ways to stop her and her gang from doing a whole lot of harm to everyone because she loves and cares for everybody and wants them around, and everybody loves Pamela too. Then she befriends this sweet, whip-smart, handsome, but very lonely kid named Preston Jerome Johnson, who joins with her and all her friends. They get to know him and get along with him, and Preston is very friendly.
A Little Solitaire
Think about some commercially successful film masterpieces--The Manchurian Candidate. Seven Days in May. Seconds. Then consider some lesser known, yet equally compelling cinematic achievements--The Fixer. The Gypsy Moths. Path to War. These triumphs are the work of the best known and most highly regarded Hollywood director to emerge from live TV drama in the 1950s--five-time Emmy-award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many claimed that at a midpoint in his career he had lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. Especially emphasized is his deep and passionate engagement with national politics and the irrepressible need of human beings to assert their rights and individuality in the face of organizations that would reduce them to silence and anonymity.
Marvin
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Biography
An interdisciplinary quarterly.
Print the Legend
Follows the legendary John Ford through a career that spanned more than five decades, drawing on dozens of personal interviews, material from Ford's estate, and film criticism.
