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A reader of the epyllion by Dracontius, the elegy by Maximianus, and the epigram by Luxorius should not expect that these works--and these new embodiments of the 'old' genres--will be wholly identical with their 'archetypes'. Were it so, it would mean that we read but second-rate versifiers, indeed. We may expect rather that thanks to the reading of Dracontius's epyllion, Maximianus's elegy, and Luxorius's epigram our understanding of these very genres may become fuller and deeper than if it was narrowed only to the study of the 'classical phase' of the Roman literature. Therefore, I have decided to employ in the title of my book the expression genres rediscovered. I have found it fair to em...
The Collectio Avellana (CA) has an extraordinary richness and variety of content. Imperial rescripts, reports of urban prefects, letters of bishops, and exchanges of letters between popes and emperors, some of which only this compilation preserves, constitute an exceptional documentary collection for researchers of various sectors of antiquity. This volume is the first publication to reconstruct the history of this compilation through the fascinating questions that it poses to the scholar. There are essays on its general structure, and on some of the most singular texts preserved therein. Other papers offer a comparison between this compilation and the other canonical collections compiled in Italy between the fourth and sixth centuries, as well as between the CA and other contemporary literary products. Adopting a new approach, some contributions also ascertain who could physically have access to the materials that were collected in the CA, and where the compiler could find them. All these fresh studies have led to new hypotheses regarding the period in which the collection, or at least some of its parts, took shape and the personality of its author.
In The Space That Remains, Aaron Pelttari offers the first systematic study of the major fourth-century poets since Michael Robert's foundational The Jeweled Style. It is the first book to give equal attention to both Christian and Pagan poetry and the first to take seriously the issue of readership. As Pelttari shows, the period marked a turn towards forms of writing that privilege the reader's active involvement in shaping the meaning of the text. In the poetry of Ausonius, Claudian, and Prudentius we can see the increasing importance of distinctions between old and new, ancient and modern, forgotten and remembered. The strange traditionalism and verbalism of the day often concealed a desire for immediacy and presence. We can see these changes most clearly in the expectations placed upon readers. The space that remains is the space that the reader comes to inhabit, as would increasingly become the case in the literature of the Latin Middle Ages.
A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion t...
Unfinishedness and incompleteness are a central feature of ancient Greek and Roman literature that has often been taken for granted but not deeply examined; many texts have been transmitted to us incomplete. How and to what extent has this feature of many texts influenced their aesthetic perception and interpretation, and how does it still influence them today? Also, how do various editorial arrangements of fragmentary texts influence the reconstruction of closure? These important questions offer the opportunity to bring together specialists working on Greek and Roman texts across various genres: epic, tragedy, poetry, mythographic texts, rhetorical texts, philosophical treatises, and the no...
Diese Abhandlung betrifft nicht die handschriftliche Überlieferung der kurzen Gedichtreihen (die sog. kleineren anthologiae) und der einzelnen ‘verstreuten’ Texte, die in der kritischen Edition von A. Riese enthalten sind (Anthologia Latina I 1-2, Leipzig 1894-1906, gilt heute als Referenzausgabe), sondern bezieht sich auf die beiden großen kompakten Gedichtsammlungen namens Salmasiana und Vossiana, die fast komplett im ersten der beiden Bücher stehen und gewöhnlich mit dem Gesamttitel Anthologia Latina bezeichnet werden. Mit dem Ziel, diese Gedichtsammlung vollständig neu zu edieren, hat das Forschungszentrum für die Anthologia Latina in Perugia bisher die neuen kritischen Edition...
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Der vorliegende Band soll nicht nur systematische Elemente einer fundamentaltheologisch-ästhetischen Bildhermeneutik exemplarisch umreißen, sondern auch zu einem verbesserten Verständnis der Funktion von zeitgenössischer bildender Kunst im Feier-, Lebens- und Sendungsraum "Kirche" beitragen. Namhafte Experten aus dem deutschen Sprachraum und Italien steuern zu diesem Brückenschlag ihre je eigene Sichtweise bei, jeweils komplementär flankiert von ergänzenden Perspektiven.
Many scholars have studied the dialogue between the Epicurean tradition and Pierre Gassendi. However, no one so far has ever attempted to conduct a full analysis of the latter’s specific reception of Lucretius. The book attempts to show that Gassendi was the first to discuss almost the whole De rerum natura, as part of an ambitious project. He sought to provide a Christianized version of Lucretius’ theory or to develop an atomistic worldview “freed” from the many dangerous errors that were often imputed to atomism (impiety, debauchery, and irrationality). In particular, Gassendi developed a dialectical strategy that led him to recover a providential atomism, an Epicurean psychology t...