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A Companion to Pietro Aretino
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Court and Its Critics
The Court and Its Critics focuses on the disillusionment with courtliness, the derision of those who live at court, and the open hostility toward the court, themes common to Renaissance culture.
About Face
How do we represent ouselves and the cultures we live in? Is it possible to trace any boundaries between reality and self-representation? Because the self represented is the product of a process of selection and choice, in many ways to represent the self is, often simultaneously, to create the self and negate the self. What, then, becomes of the self once it is represented? Because the process of self-representation cumulates in a tangible result and given that any representation of the self is necessarily a construct which aims to render visible or knowable in concrete form the unseen and unknown, self-representation is vulnerable to assessments of its naturalness or artificiality, its hone...
Complete Poems
Veronica Gambara (1485-1550) was one of the most celebrated lyric poets of early sixteenth-century Italy. Equally significant to Gambara's literary repute was her political standing as the dowager Countess of Correggio. Though she never published a collected edition of her poetry, Gambara produced an extensive oeuvre of vernacular verse that has been extensively anthologized. This book presents the first complete bilingual edition of Gambara's verse. It sheds light on the unique interrelationship between Gambara's cultural currency and her political power, as she drew on her literary talent to participate in the political arena to emerge as one of the first women poet-rulers of the Early Modern Italian tradition.
The Complete Poems
Gaspara Stampa (1523?-1554) is one of the finest female poets ever to write in Italian. Although she was lauded for her singing during her lifetime, her success and critical reputation as a poet emerged only after her verse was republished in the early eighteenth century. Her poetry runs the gamut of human emotion, ranging from ecstasy over a consummated love affair to despair at its end. While these tormented works and their multiple male addressees have led to speculation that Stampa may have been one of Venice’s famous courtesans, they can also be read as a rebuttal of typical assumptions about women’s roles. Championed by Rainer Maria Rilke, among others, she has more recently been c...
The Legacy of Birgitta of Sweden
Saint Birgitta of Sweden (d. 1373), one of the most famous visionary women of the late Middle Ages, lived in Rome for the last 23 years of her life. Much of her extensive literary work was penned there. Her Celestial Revelations circulated widely from the late 14th century to the 17th century, copied in Italian scriptoria, translated into vernacular, and printed in several Latin and Italian editions. In the same centuries, an extraordinary number of women writers across the peninsula were publishing their work. What echoes might we find of the foreign widow’s prophetic voice in their texts? This volume offers innovative investigations, written by an interdisciplinary group of experts, of the profound impact of Birgitta of Sweden in Renaissance Italy. Contributors include: Brian Richardson, Jane Tylus, Isabella Gagliardi, Clara Stella, Marco Faini, Jessica Goethals, Anna Wainwright, Eleonora Cappuccilli, Eleonora Carinci, Virginia Cox, Unn Falkeid, and Silvia Nocentini.
The Prodigious Muse
In her award-winning, critically acclaimed Women's Writing in Italy, 1400--1650, Virginia Cox chronicles the history of women writers in early modern Italy -- who they were, what they wrote, where they fit in society, and how their status changed during this period. In this book, Cox examines more closely one particular moment in this history, in many ways the most remarkable for the richness and range of women's literary output. A widespread critical notion sees Italian women's writing as a phenomenon specific to the peculiar literary environment of the mid-sixteenth century, and most scholars assume that a reactionary movement such as the Counter-Reformation was unlikely to spur its develo...
