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The Game
1982. The Game The kick off was 4-15.pm, we finished school at 4-00.pm, I had fifteen minutes to race home, so I didn't miss a second. It was close, running like a lunatic across Broadhurst Fields, past the cemetery, down Moston lane, Rosslyn Road, up the garden path, I made it! Brazil and Italy, a shootout in the searing, Barcelona, late, afternoon. Tea could wait, and homework! The magical colours almost blinding through the television screen. Yellow, gold and blue. The greatest game I have ever seen in my life began. One littered with moments of genius, heroes and villains, tears, and sheer, unmitigated, passion and emotion. Paolo Rossi's hat trick. The stuff of footballing wonder. A tale of biblical proportions. Of redemption, Italy's joy, and Brazil. A team of heart's broken. Thirty nine years ago...RIP Paolo.
The Cambridge Companion to Bacon
There are also essays on Bacon's theory of rhetoric and history as well as on his moral and political philosophy and on his legacy. Throughout the contributors aim to place Bacon in his historical context.
Memory for Forgetfulness
One of the Arab world's greatest living poets uses the 1982 Israeli invasion of Lebanon and the shelling of Beirut as the setting for this sequence of prose poems. Mahmoud Darwish vividly recreates the sights and sounds of a city under terrible siege. As fighter jets scream overhead, he explores the war-ravaged streets of Beirut on August 6th (Hiroshima Day). Memory for Forgetfulness is an extended reflection on the invasion and its political and historical dimensions. It is also a journey into personal and collective memory. What is the meaning of exile? What is the role of the writer in time of war? What is the relationship of writing (memory) to history (forgetfulness)? In raising these questions, Darwish implicitly connects writing, homeland, meaning, and resistance in an ironic, condensed work that combines wit with rage. Ibrahim Muhawi's translation beautifully renders Darwish's testament to the heroism of a people under siege, and to Palestinian creativity and continuity.
The Dark Abyss of Time
"A rich historical pastiche of 17th- and 18th-century philosophy, science, and religion."—G. Y. Craig, New Scientist "This book, by a distinguished Italian historian of philosophy, is a worthy successor to the author's important works on Francis Bacon and on technology and the arts. First published in Italian (in 1979), it now makes available to English readers some subtly wrought arguments about the ways in which geology and anthropology challenged biblical chronology and forced changes in the philosophy of history in the early modern era. . . . [Rossi] shows that the search for new answers about human origins spanned many disciplines and involved many fascinating intellects—Bacon, Bayle, Buffon, Burnet, Descartes, Hobbes, Holbach, Hooke, Hume, Hutton, Leibniz, de Maillet, Newton, Pufendorf, Spinoza, Toland, and, most especially, Vico, whose works are impressively and freshly reevaluated here."—Nina Gelbart, American Scientist
Francis Bacon: From Magic to Science
Originally published in 1968. This volume discusses Francis Bacon’s thought and work in the context of the European cultural environment that influenced Bacon’s philosophy and was in turn influenced by it. It examines the influence of magical and alchemical traditions on Bacon and his opposition to these traditions, as well as illustrating the naturalist, materialist and ethico-political patterns in Bacon’s allegorical interpretations of fables.
The Logic and the Art of Memory
A long-awaited translation of this classic account of the art of memory and the logic of linkage and combination, the two traditions deriving from the Classical world and the late medieval period, and becoming intertwined in the 16th Century. From this intertwining emerged a new tradition, a grandiose project for an 'alphabet of the world' or 'Clavis Universalis'.
Ars memoriae and scriptura interna
This study is concerned with Giordano Bruno's ars memoriae and the relation between his works on mnemonics and philosophy in the first phase of his reflection (1582–1585). The hermeneutic hypothesis that will be explored is that it is Giordano Bruno's De umbris idearum that first reveals his new elaboration of the notion of order, which will then be further unfolded in the philosophical works published in London, especially in the notions of nature, language, and praxis developed therein. The research statement is explored into more detail on a methodological level, through a discussion of Hans Blumenberg's interpretation of Giordano Bruno, and on an analytical level, through a metaphorological interpretation of the inward writing and the shadow metaphors in the De umbris idearum.
Philosophies of Technology
The essays in the present volume attempt to historically reconstruct the various dependencies of philosophical and scientific knowledge of the material and technical culture of the early modern era and to draw systematic conclusions for the writing of early modern history of science. The divisive transformation of humanist scholarly culture, the Scholastic school philosophy, as well as magic in the form of a philosophy of practice is always associated with the work of Francis Bacon. All of these essays in this volume reflect the close interaction between technical models and knowledge production in natural philosophy, natural history and epistemology. It becomes clear that the technological developments of the early modern era cannot be adequately depicted in the form of a pure history of technology but rather only as part of a broader, cultural history of the sciences. Contributors include: Todd Andrew Borlik, Arianna Borrelli, Thomas Brandstetter, Daniel Damler, Luisa Dolza, Moritz Epple, Berthold Heinecke, Dana Jalobeanu, J rgen Klein, Staffan M ller-Wille, Romano Nanni, Jarmo Pulkkinen, Pablo Schneider, Andr s Vaccari, Benjamin Wardhaugh, Sophie Weeks, and Claus Zittel.
Benvenuto Cellini
This book offers new perspectives on the artist and his place in Renaissance art, literature, and culture, as well as his legacy in European publishing history and modern American pop culture. The essays in this volume approach the multi-faceted career of Cellini from a variety of perspectives, cutting across disciplinary boundaries, as did the artist himself. Offering new interpretations of Cellini's life and achievements, this richly illustrated work brings new insights into the legacy of a major figure of the Italian Renaissance.
