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Marco Simoncelli
This is a compelling celebration of the life of Marco Simoncelli, the maverick motorcycle racer who lost his life in the 2011 Malaysian MotoGP race. Written by his parents, Rossella and Paolo, this book paints an intimate portrait of a rising star. Simoncelli’s final lap was as adrenaline-fuelled as the rest of his career, which was on the way up – the two races before his last were arguably two of his best. Marco’s eventful paddock life, signature ‘afro’ and close friendship with Valentino Rossi are all captured here by the words of his parents, and in 200 unique photographs of life on and off the track.
Juan de Valdés and the Italian Reformation
Juan de Valdés played a pivotal role in the febrile atmosphere of sixteenth-century Italian religious debate. Fleeing his native Spain after the publication in 1529 of a book condemned by the Spanish Inquisition, he settled in Rome as a political agent of the emperor Charles V and then in Naples, where he was at the centre of a remarkable circle of literary and spiritual men and women involved in the religious crisis of those years, including Peter Martyr Vermigli, Marcantonio Flaminio, Bernardino Ochino and Giulia Gonzaga. Although his death in 1541 marked the end of this group, Valdés’ writings were to have a decisive role in the following two decades, when they were sponsored and diff...
A Companion to Vittoria Colonna
A Companion to Vittoria Colonna offers a wide-ranging, interdisciplinary vision of this important writer of the Italian renaissance, whose influence extended far beyond her own century.
Antimedicei nelle "Vite" vasariane - Vol. I
Le Vite dei più celebri scultori, pittori e architettori di Giorgio Vasari, edite nelle due versioni del 1550 e 1568, costituiscono l’architrave della conoscenza storica dell’arte medievale e moderna. Lette con occhio attento al “contesto” politico europeo, e con la conoscenza anche semplice dell’opposizione allo Stato assoluto, mostrano reticenze, manipolazioni, falsificazioni e anche larvati moniti a dissidenti politici siano essi artisti, mercanti o esuli, sparsi in modo solo apparentemente casuale in quelle antiche pagine. Una lettura tutta politica che consente di cogliere agevolmente queste “distorsioni” storiografiche; utili – in qualsiasi tempo, a qualsiasi latitudin...
Trent and All That
Counter Reformation, Catholic Reformation, the Baroque Age, the Tridentine Age, the Confessional Age: why does Catholicism in the early modern era go by so many names? And what political situations, what religious and cultural prejudices in the nineteenth and twentieth centuries gave rise to this confusion? Taking up these questions, John O'Malley works out a remarkable guide to the intellectual and historical developments behind the concepts of Catholic reform, the Counter Reformation, and, in his felicitous term, Early Modern Catholicism. The result is the single best overview of scholarship on Catholicism in early modern Europe, delivered in a pithy, lucid, and entertaining style. Althoug...
The Medici: Portraits and Politics 1512–1570
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 15...
Italian Reform and English Reformations, c.1535–c.1585
This is the first full-scale study of interactions between Italy's religious reform and English reformations, which were notoriously liable to pick up other people's ideas. The book is of fundamental importance for those whose work includes revisionist themes of ambiguity, opportunism and interdependence in sixteenth century religious change. Anne Overell adopts an inclusive approach, retaining within the group of Italian reformers those spirituali who left the church and those who remained within it, and exploring commitment to reform, whether 'humanist', 'protestant' or 'catholic'. In 1547, when the internationalist Archbishop Thomas Cranmer invited foreigners to foster a bolder reformatio...
A Cultural Symbiosis
The history of the Florentine patriciate did not end with the establishment of the Medici Duchy and Grand Duchy of Tuscany. Proud and self-confident, these patricians were not subservient courtiers; on the contrary, they continued to exert a considerable influence on Florentine culture and politics for centuries. The patrician class in sixteenth-century Florence were the descendants of wealthy, sophisticated and politically savvy families who, while acquiring noble titles, estates, and villas, retained their long-standing urban identity. The mark they left on the city’s cultural and artistic life was embraced by the Medici, who used their political and diplomatic knowhow, eleborate artistic commissions, and European networks to enhance their power and prestige. A Cultural Symbiosis highlights the contributions to Florentine art and culture of eight patricians, focusing on the Valori, Pucci, Ridolfi, Vecchietti, del Nero, Salviati, Guicciardini, and Niccolini families.
The Career of Cardinal Giovanni Morone (1509-1580)
Cardinal Giovanni Morone (1509-80) remains one of the most intriguing characters in the history of the sixteenth century Catholic Church - with neither his contemporaries nor subsequent scholars being able to agree on his motivations, theology or his legacy. Appointed Bishop of Modena in 1529 and created Cardinal in 1542 by Pope Paul III, his glittering career appeared to be in ruins following his arrest in 1557 on charges of heresy. Yet, despite spending more than two years imprisoned in Castel Sant' Angelo, he managed to resurrect his career and in 1563 was appointed principal legate to the Council of Trent, whereupon he resolved the difficulties besetting the council, which had brought it...
Machiavelli's God
How Machiavelli's Christianity shaped his political thought To many readers of The Prince, Machiavelli appears to be deeply un-Christian or even anti-Christian, a cynic who thinks rulers should use religion only to keep their subjects in check. But in Machiavelli's God, Maurizio Viroli, one of the world's leading authorities on Machiavelli, argues that Machiavelli, far from opposing Christianity, thought it was crucial to republican social and political renewal—but that first it needed to be renewed itself. And without understanding this, Viroli contends, it is impossible to comprehend Machiavelli's thought. Viroli places Machiavelli in the context of Florence's republican Christianity, wh...
