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J.C. Squire (1884-1958) bestrode the literary world of the inter-war era like a colossus. A poet, journalist, editor of the New Statesman and presiding genius of the London Mercury, he was much adored and - as a combative traditionalist - much reviled. Evelyn Waugh satirised him in Decline and Fall.
In 2022 Wits University Press marked its centenary, making it the oldest, most established university press in sub-Saharan Africa. While in part modelled on scholarly publishers from the global North, it has had to contend with the constraints of working under global South conditions: marginalisation within the university, budgetary limitations, small local markets, unequal access to international sales channels, and the privileging of English language publishing over indigenous languages. This volume explores what the Press has achieved, and what its modes of reinvention might look like. In widening and deepening our understanding of the Press as an example of a global South scholarly publi...
In 1986, when this autobiography opens, the author is a typical fourteen-year-old boy in Asyut in Upper Egypt. Attracted at first by the image of a radical Islamist group as "strong Muslims," his involvement develops until he finds himself deeply committed to its beliefs and implicated in its activities. This ends when, as he leaves the university following a demonstration, he is arrested. Prison, a return to life on the outside, and attending Cairo University all lead to Khaled al-Berry's eventual alienation from radical Islam. This book opens a window onto the mind of an extremist who turns out to be disarmingly like many other clever adolescents, and bears witness to a history with whose reverberations we continue to live. It also serves as an intelligent and critical guide for the reader to the movement's unfamiliar debates and preoccupations, motives and intentions. Fluently written, intellectually gripping, exciting, and often funny, Life Is More Beautiful than Paradise provides a vital key to the understanding of a world that is both a source of fear and a magnet of curiosity for the west.
This collection's title points to the underlying philosophy expressed in these poems: that earthly joy is, or ought to be, just within, but is often beyond our reach, denied by racism, misogyny, physical cruelty and those with the class power to deny others their share of worldly goods and pleasures.
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A Paradise of Poets is Jerome Rothenberg's tenth book of poetry to be published by New Directions, beginning with his Poland/1931(1974). In considering the title of his newest collection, he says: "Writing poetry for me has always included an involvement with the life of poetry--& through that life an intensification, when it happened, of my involvement with the other life around me. In an earlier poem I spoke of this creating a paradise of poets ... I do not of course believe that such a paradise exists in any supernatural or mystical sense, but I have sometimes felt it come to life among my fellow poets and, even more, in writing--in the body of the poem." In Rothenberg's hands, the body o...
"A perfect expression of Miller's moral perspective as well as one of his outstanding demonstrations of narrative skill. It provides a wonderful cinematic view of two indomitable egotists in deadly conflict." --The Nation
A low-budget breakout film that wowed critics and audiences on its initial release, Stranger Than Paradise would prove to be a seminal film in the new American independent cinema movement and establish its director, Jim Jarmusch, as a hip, cult auteur. Taking inspiration from 1960s underground filmmaking, international art cinema, genre cinema, and punk culture, Jarmusch’s film provides a bridge between midnight movie features and a new mode of quirky, offbeat independent filmmaking. This book probes the film's production history, initial reception, aesthetics, and legacy in order to understand its place within the cult film canon. In examining the film's cult pedigree, it explores a number of threads that fed into the film—including New York downtown culture of the early 1980s and Jarmusch’s involvement in music—as well as reflecting on how the film's status has developed alongside Jarmusch’s subsequent output and reputation.
A fictionalized account of the author's experiences growing up in a culturally and racially diverse world on a university campus in Nigeria. Includes glossary.