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Continuing on to the electronic revolution, Martin's account takes in the changes wrought on writing by computers and electronic systems of storage and communication, and offers surprising insights into the influence these new technologies have had on children born into the computer age. The power of writing to influence and dominate is, indeed, a central theme in this history, as Martin explores the processes by which the written word has gradually imposed its logic on society over four thousand years. The summation of decades of study by one of the world's great scholars on the subject, this fascinating account of writing explains much about the world we inhabit, where we uneasily confer, accept, and resist the power of the written word.
Focusing mainly upon language, communication, textuality, etc., as is overwhelmingly today's fashion, we miss the very raison d'être of literature and language itself. Moving a step further in our investigation of the anthropologico-ontopoietic sources of the life-significance of literature by unravelling the function of imaginatio creatrix in man's self interpretation-in-existence, this collection seeks to bring forth the royal role of allegory in the fostering of culture. A conjoint work of human elemental passions and of the human spirit, allegory mediates between lofty ideals of the highest human strivings and the pedestrian realm of facts. Interpretative or theoretical studies encompass allegory -- mediaeval, modern and post-modern -- in various literatures. Among the authors are: Tymieniecka, Kronegger, Jorge Garcia Gomez, V. Osadnik, H. Hellerstein, H. Rudnick, R. Kiefer, V. Fichera, K. Haney, Ch. Raffini, J. Williamson, B. Ross and Sitansu Ray.
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
This collection of essays serves as a forum for a broad spectrum of responses to the war-time writing of Paul de Man, responses rarely in agreement and often sharply contradictory, differing in approach, affect, and style. Responses engages in reading de Man’s early articles, in articulating their multiple contexts, then and now, and in opening the limitations imposed by rubrics like “the case of Paul de Man” and “deconstruction politics.” Responses brings together the readings and commentaries of literary critics and historians from the United States and Europe, with their diverse strategies—historical, rhetorical, psychological, political. The primary aims of these essays are r...
Linking the study of business and politics, Christine Haynes reconstructs the passionate and protracted debate over the development of the book trade in nineteenth-century France. In tracing the contest over literary production in France, Haynes emphasizes the role of the Second Empire in enacting - but also in limiting - press freedom and literary property.
Relates the story of the only French writer to be executed for treason during World War II, from his rise during the 1930s to his trial and death in front of a firing squad.
Eleven scholars provide a new interpretation of Celine's work and its underlying historical, cultural, and political matrix.
This volume provides an in-depth comparative study of translation practices and the role of the poet-translator across different countries and in so doing, demonstrates the need for poetry translation to be extended beyond close reading and situated in context. Drawing on a corpus composed of data from national library catalogues and Worldcat, the book examines translation practices of English-language, French-language, and Italian-language poet-translators through the lens of a broad sociological approach. Chapters 2 through 5 look at national poetic movements, literary markets, and the historical and socio-political contexts of translations, with Chapter 6 offering case studies of prominent and representative poet-translators from each tradition. A comprehensive set of appendices offers readers an opportunity to explore this data in greater detail. Taken together, the volume advocates for the need to study translation data against broader aesthetic, historical, and political trends and will be of particular interest to students and scholars in translation studies and comparative literature.
Swept up in the vortex of communism, French postwar intellectuals developed a blind spot to Stalinist tyranny. Albert Camus, who had been an authentic moral voice of the Resistance, pretended not to know about the crimes and terrors of the Soviet Union. Jean-Paul Sartre perverted logic to make an apologia for the Soviet invasion of Hungary. Simone de Beauvoir called for social change to be brought about in a single convulsion, or else not at all. Foolish French thinkers, suffering self-imposed moral anesthesia, defended the credibility of the show trials in Stalinized Eastern Europe. In a devastating study, Judt, a professor of European studies at New York University, argues that the belief system of postwar intellectuals, propped up by faith in communism, reflected fatal weaknesses in French culture such as the fragility of the liberal tradition and the penchant for grand theory. He also strips away the postwar myth that the small, fighting French Resistance was assisted by the mass of the nation.
Maurice Blanchot is a towering yet enigmatic figure in 20th-century French thought. Both his fiction and his criticism played a determining role in how postwar French philosophy was written. This volume collects his political writings from 1953 and 1993.