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Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
A mysterious object has been stolen from the British Museum. A group of religious fanatics intends to use it to give life to an evil creature, using an old lost language, that of angels. Adams, a young priest, together with the old chaplain Martin, will seek the help of Professor Thomas Dee, who knows Enochian, a language created by his great-great-grandfather John Dee. In search of a forbidden book, they will begin this adventure that will take them through Spain, France, Italy, Germany, Greece, the United Kingdom, the Czech Republic, Russia, Turkey, Mexico and Antarctica itself. Following in the footsteps of Lovecraft and his Myths, they will seek the answer in the Necronomicon and other Grimoires that will teach them to close the evil portal. They will come across characters like Nostradamus, Rasputin, Alice Crowley, Van Gogh and Merlin. They will also delve into the mysteries of Kabbalah and Alchemy. They will analyze the Crusades, the Holy Inquisition, the Cathars and the Essenes. Only the Angels will be able to help them with their difficult mission that will take them through great libraries and unveil the mystery of the great Cathedrals.
In this comprehensive study of Olivier Messiaen's magnum opus, Saint François d'Assise, Vincent Perez Benitez examines the opera from both theological and musical-analytical perspectives to ask how Messiaen expresses his Catholic theology through his work. Benitez combines a close reading of the opera score with accounts from Messiaen's associates, studies of Messiaen's birdsong notebooks and other primary documents, and an examination of the religious, musical, poetic, and visual arts literature with which the composer was familiar to explore how the opera's harmonic language and sound-color relationships motivate its musical meaning and expression. Through his analysis of these diverse sources and comparisons of Saint François d'Assise with other works such as Berg's Wozzeck and Wagner's Parsifal, Benitez places Messiaen's compositional practice within larger musical perspectives and historical contexts.
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