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Complicity in Fin-de-siècle Literature examines late-nineteenth century French understandings of literature as a morally collusive medium, which implicates readers, writers, and critics in risqué or illicit ideas and behaviour. It considers definitions of complicity from the period's evolving legal statutes, critical debates about literary 'bad influence', and modern theories of reader response, in order to achieve a deeper understanding of how cultural production of the period forged relationships of implication and collusion. While focusing on fin-de-siècle French culture, the book's theoretical discussions provide a new terminology and conceptual framework through which to analyse lite...
The term culture in its anthropological sense did not enter the American lexicon with force until after 1910—more than a century after Herder began to use it in Germany and another thirty years after E. B. Tylor and Franz Boas made it the object of anthropological attention. Before Cultures explores this delay in the development of the culture concept and its relation to the description of difference in late nineteenth-century America. In this work, Brad Evans weaves together the histories of American literature and anthropology. His study brings alive not only the regionalist and ethnographic fiction of the time but also revives a range of neglected materials, including the Zuni sketchboo...
An essentially contested notion, society is viewed by some as the most important level of human reality, while others deny its existence outright. Taking the example of France between the Enlightenment and the Second World War, this book recounts the debates among thinkers and scholars on the nature of the social. By way of an original analysis of the work of many key figures in the history of French thought, the author convincingly demonstrates the strength of the connection between social theories and political projects. He pays particular attention to conceptual and terminological developments, thereby shedding a new light on the history of some core concepts of the human sciences, such as "society", "culture", and "civilisation".
Réunit des contributions qui s'interrogent sur les moyens mis en oeuvre pour favoriser la rencontre du public avec la musique dite classique ou savante, et plus largement sur la relation entre l'oeuvre d'art et l'amateur.
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In the late 19th century and early part of the 20th, with the coming of age of sociology in France, the idea that there could be a “science” of history was the subject of much and varied debate. The methodological problems surrounding historical knowledge that were debated throughout this period concerned not only scientific history, but the social sciences as well, and sociology more specifically. Although sociology was from its origins in competition with the discipline of history, from the outset, it too was interested in history as a form of objective knowledge. Many of sociology's founders believed that by retracing historical processes, they could make a clean break with abstractio...
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A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nine...
In the nineteenth century, French and Mexican intellectuals had a common interest in providing a groundwork for educating better citizens in response to social crises. There were political and philosophical controversies regarding science and technology in this environment between spiritualists (humanists) and positivists (scientists). One of the book’s objectives is to demonstrate that political projects influenced philosophical and scientific arguments in dispute. Power and knowledge were intertwined in these controversies. Another objective of the book is to show that controversies can be seen as a dispute between two cultures between those in favor of science and technology and those i...