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Neo-Latin Literature and the Pastoral
  • Language: en
  • Pages: 452

Neo-Latin Literature and the Pastoral

This book does not attempt a complete history of the entire literature, but the first two chapters are a useful survey of the prose, drama, and poetry. The major portion of the book is devoted to a detailed study of the forms taken by pastoral poetry from the fourteenth through the eighteenth centuries. Originally published in 1965. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Latin Pastoral Poetry
  • Language: en

Latin Pastoral Poetry

  • Type: Book
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  • Published: 2025-03-04
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  • Publisher: Unknown

Andrea Navagero (1483-1529), among the principal poets of Venice, pioneered the Renaissance pastoral epigram genre. Marcantonio Flaminio (1498-1550), though now better known for his controversial religious writings, began his career as a poet. Latin Pastoral Poetry is the first volume to combine their poetry alongside authoritative Latin texts.

Latin Pastoral Poetry of the Italian Renaissance (1480-1530).
  • Language: en
  • Pages: 616

Latin Pastoral Poetry of the Italian Renaissance (1480-1530).

  • Type: Book
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  • Published: 1935
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  • Publisher: Unknown

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The Eclogues
  • Language: en
  • Pages: 32

The Eclogues

  • Type: Book
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  • Published: 2014-06-16
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  • Publisher: CreateSpace

Virgil (70-19 B.C.) needs no formal introduction, as he has long been considered Ancient Rome's greatest poet and is globally renowned for The Aeneid, one of the most famous epic poems in history. Virgil's other greatest works are considered to be the Eclogues (or Bucolics), and the Georgics, although several minor poems collected in the Appendix Vergiliana are also attributed to him. Similar to Homer's Iliad and Odyssey, Virgil's Aeneid was considered Rome's national epic and legend, and it was immediately popular within the empire. It is said Virgil recited parts of it to Caesar Augustus, and it's believed the epic poem was unfinished when Virgil died in 19 B.C. The works of Virgil also ha...

The Eclogues and the Georgics
  • Language: en

The Eclogues and the Georgics

A classic work of Latin poetry consisting of pastoral poems and agricultural verses, providing unique insights into the ancient Roman society and its culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Virgil's Eclogues
  • Language: en
  • Pages: 113

Virgil's Eclogues

Publius Vergilius Maro (70-19 B.C.), known in English as Virgil, was perhaps the single greatest poet of the Roman empire—a friend to the emperor Augustus and the beneficiary of wealthy and powerful patrons. Most famous for his epic of the founding of Rome, the Aeneid, he wrote two other collections of poems: the Georgics and the Bucolics, or Eclogues. The Eclogues were Virgil's first published poems. Ancient sources say that he spent three years composing and revising them at about the age of thirty. Though these poems begin a sequence that continues with the Georgics and culminates in the Aeneid, they are no less elegant in style or less profound in insight than the later, more extensive...

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  • Language: en
  • Pages: 108

The Latin text with a verse translation and brief notes.

The Potency of Pastoral in the Hispanic Baroque
  • Language: en
  • Pages: 242

The Potency of Pastoral in the Hispanic Baroque

A careful re-evaluation of pastoral poetics in the early modern Hispanic literature of Spain and Latin America. In her analysis of the verse of representative poets of the Hispanic Baroque, Holloway demonstrates how these writers occupy an Arcadia which is de-familiarised and yet remains connected to the classical origins of the mode. Herstudy includes recent manuscript discoveries from the Spanish Baroque (Fábula de Alfeo y Aretusa, now attributed to the Gongorist poet Pedro Soto de Rojas), the poetry of Luisa de Carvajal y Mendoza and Francisco de Quevedo. The study considers pastoral as a global cultural phenomenon of the Early Modern period, its reverberations reaching as far as Vicereg...

Pastoral Poetry & Pastoral Drama
  • Language: en
  • Pages: 1255

Pastoral Poetry & Pastoral Drama

  • Type: Book
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  • Published: 2019-12-11
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  • Publisher: Good Press

Pastoral Poetry & Pastoral Drama is an analysis of poems by W. W. Greg. Greg was one of the leading bibliographers and Shakespeare scholars of the 20th century, here presenting poems that idealize country life and the landscape they take place in. Excerpt: "Having at length arrived at what must be regarded as the main subject of this work, it will be my task in the remaining chapters to follow the growth of the pastoral drama in England down to the middle of the seventeenth century, and in so doing to gather up and weave into a connected web the loose threads of my discourse. Taking birth among the upland meadows of Sicily, the pastoral tradition first assumed its conventional garb in imperi...

Vergil's Eclogues
  • Language: en
  • Pages: 66

Vergil's Eclogues

Best remembered for his unfinished epic, the Aeneid, the poet Vergil was celebrated in his time both for the perfection of his art and for the centrality of his ideas to Roman culture. The Eclogues, his earliest confirmed work, were composed in part out of political considerations: when the Roman authorities threatened to seize his family's land, Vergil's appeal in the form of Eclogue IX won a stay. Eclogue I appears to be a thank-you for that favor. Barbara Hughes Fowler provides scholars and students with a new American verse translation of Vergil's Eclogues. An accomplished translator, Fowler renders the poet's words into an English that is contemporary while remaining close to the spirit of the original. In an introduction to the text, she compares the treatment of the pastoral form by Vergil and Theocritus, illuminating the ways in which Vergil borrowed from and built upon the earlier poet's work, and thereby moved the genre in a new direction.