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Personal Styles in Early Cycladic Sculpture
Annotation "Personal Styles in Early Cycladic Sculpture represents the culmination of thirty-five years of study. Pat Getz-Gentle offers here much new material and many fresh insights into a tradition, rooted in the Neolithic period, that spanned most of the third millennium B.C. She begins with a review of this tradition, placing particular emphasis on the stages leading to the reclining figure with folded arms that is the unique and quintessential icon of the early Bronze Age culture at the center of the Aegean. She then focuses on the styles of fifteen sculptors, several of whom are identified and discussed for the first time in this volume. By introducing little-known pieces attributable to these sculptors, she illuminates various phases of their artistic development."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Early Cycladic Sculpture
First published in 1985, this ground-breaking book surveys the development of Cycladic sculpture produced by unidentified artists who worked in the Aegean islands forty-five hundred years ago. Illustrated with numerous objects from American collections—with particular emphasis on some two dozen pieces in the Getty Museum—this volume surveys the typological development of Early Cycladic sculpture and identifies, where possible, the work of individual sculptors. Newly revised and updated, this book is a concise introduction to the field.
Personal Styles in Early Cycladic Sculpture
Getz-Gentle (an independent scholar) has seen many of the examples that exist in the course of her career studying Cycladic sculpture. She presents in this volume a catalog of Cycladic sculpture which she has organized into stylistic categories based on formal analysis. The methods she used to arrive at her conclusions, as well as her theory of how the sculptures were produced are discussed at length. Annotation copyrighted by Book News Inc., Portland, OR
Sculptors of the Cyclades
Discusses the culture of the Cyclades and the work of 16 artists who lived between ca. 3000 and 2200 B.C.
Stone Vessels of the Cyclades in the Early Bronze Age
With the exception of early Egypt and Minoan Crete, no early culture had such a vigorous stone vase-making industry as the Cyclades. Figures and vessels of stone, overwhelmingly of marble, are the most distinctive and appealing products of the Early Cycladic culture. The vessels, like the better-known figures, formed a special class of object that conformed to a strict traditional typology. Ranging from charming miniatures to works of impressive size, they often show a striking purity of form, beauty of material, and excellence in their workmanship. Stone Vessels of the Cyclades in the Early Bronze Age is the first comprehensive study of these vessels. For each vessel type, Pat Getz-Gentle c...
Ancient Art of the Cyclades
Catalog of an exhibition held at the Katonah Museum of Art, Katonah, New York, Oct. 1-Dec. 31, 2006.
The "Keros Hoard"
Keros is a small, mountainous, and now-deserted island situated between Naxos, Amorgos, and Ios in the southeast Cyclades. Keros became widely known after a series of extensive and clandestine excavations in the 1950s and early 1960s, which concentrated on a particularly rich deposit of material at the site of Kavos, situated at its barren western extremity. These major lootings resulted in the illegal export from Greece of a large number of Early Cycladic objects - mostly fragmentary marble figurines - that flooded the international antiquities market under the general name the Keros Hoard. The cache was said to have included at least 350 Cycladic objects and is now widely dispersed. This study features a review of the archaeological investigations on Keros; a discussion of the so-called Keros Hoard; an extensive account of the various aspects of Cycladic figurines; and a catalogue of the objects identified as coming from the Hoard. Also included are an analysis of the data derived form the Hoard, the results of the study comparing the fragments in the Museum of Cycladic Art with those discovered at Kavos during official archaeological investigations; an interpretation of the Ho
Slavery and Sexuality in Classical Antiquity
Slavery and sexuality in the ancient world are well researched on their own, yet rarely have they been examined together. Chapters address a wealth of art, literature, and drama to explore a wide range of issues, including gendered power dynamics, sexual violence in slave revolts, same-sex relations between free and enslaved people, and the agency of assault victims.
Silenced Voices
Examines speech loss across all of Ovid's writings and the ways that motif is explored, developed, and modified in the poet's work after his exile from Rome.
